
The film follows three Palestinian refugees brought together by dispossession and hope for a better future. Hiding in the tank of a truck, the men attempt to make their way across the border into Kuwait, the "promised land."

Mona and her friend Suheir travel to Syria to meet her fiancé. Mona's father requests the son of his friend Kamal residing in Syria to take care of his daughter Mona there, so he goes to her to meet and care for her so he gets to know Suhair and admire her. On the other side, events escalate as Salwa (to his heart), a client of a foreign country, tries to win over Dr. Khairat, the nuclear energy scientist, and tries to persuade him to go abroad again so that his country does not benefit from his knowledge.

Three Palestinian men strive to escape the hardships of life in a refugee camp. Under the scorching sun, the men enlist the help of an old man, Abu Al-Khaizuran, to smuggle them in an empty water tank across the desert.

A girl and her boyfriend are swindlers who have successfully carried out previous frauds. When they find out that their neighbor has an amount of money that he is safekeeping for a friend, they devise a plan to swindle him.

On the eve of the Israeli attack on Egypt in 1956, Israel declares martial law in all the occupied Arab territories without any previous notice. When the villagers of Kafr Kassem returned home from the fields, they were butchered and killed in what is known today as the massacre of “Kafr Kassem”.

An introverted former broadcaster chooses to detach himself from the overwhelming situation his country is going through, but the news of his daughter getting besieged in Aleppo break through his shield. A portrayal of the fragile and voluntary detachment as a coping mechanism with war and trauma.

Azmi, a legal adviser refuses to sign the budget of the celebration of a project as it's twice what was spent on the project itself. He gets fired from his work, and decides to write a comprehensive report of all the daily atrocities in the hope of presenting it to higher authorities.

Set in Syria in the early 1900s. A peasant has his land taken from him by the authorities. He gets imprisoned and beaten by the gendarme, but manages to escape to the mountains where starts a bloody struggle for revolution.

When Zuhair is forcibly absent for ten years, Amer dedicates himself to the wife of his absentee friend and his daughter. But things take a surprising turn when Zuhair returns after a long absence, as Amer begins to wonder about his own fate.

The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.

As an elderly man on his deathbed looks to give his name to one of his newborn grandsons, he's unable to acknowledge any of them. The three boys grow up with no name in the Syrian mountains, as they struggle to survive in a war-torn country.

Dib moves with his younger brother and their mother from his home town of Quneitra to Damascus after the death of his father. The children’s grandfather, who was known for his tyranny, reluctantly agrees to shelter the grieving family, and tries to force his daughter to marry again. The magic of the city of Damascus takes over the conscience. Dib, whose main concern has become discovering all the secrets of this city, is driven by his heart full of dreams, but he sees nothing in his life except humiliation and cruelty. The fragrance of childhood dies in Dib's heart, as he grows up in light of the political fluctuations that prevailed in the fifties (the end of the military dictatorship in Syria at that time, the nationalization of the Suez Canal, Nasser’s rise to power in Cairo, and Egyptian-Syrian unity in 1958), so that his rosy childhood dreams were shattered on the rocks of cruelty and violence. The city's dreams turn into a nightmare..

After a Syrian man who has lived for a long time in the West learns that he is ill, he resolves to return to his homeland; however, he returns to find that strangers have taken over his home, and due to the chaos of war, his fate becomes intertwined with theirs.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

A compelling and profound story that explores the resilience of the human spirit in times of crises and wars.

A struggling young man abandons country life to work as a truck driver's assistant. His ambition drives him to be a driver himself, and lives a conflict that tears him apart between his love for a girl from his village, and his gratitude to his teacher who hopes to marry him to his daughter. We see the conflict that rages between truck drivers demanding wage increases on the one hand, and the employer on the other. The film depicts the harsh experiences that the hero goes through and learns through them the enormity of the individual battle in life.

Syria, 1967, rumors of war. Abu Kamel, a peasant who farms tomatoes near Latakia, bullies his family. One by one, each rebels against him or finds a route to break away.

Two friends are trying to find a suitable place to stay. They find a suitable residence for a woman to live alone. The owner of the house rents a room in the apartment to the two friends without the woman knowing during her absence, which generates funny ironies among everyone.

Sabah is a creative writer who goes through the complexities of life in a city that pushes its children from its center to its outskirts where expatriates reside. He suffers from financial hardships, while a love story grows between a boy and a girl who meet at night in the rain.

The first documentary to present an unabashed critique of the impact of the Syrian government’s agricultural and land reforms, Everyday Life in a Syrian Village delivers a powerful jab at the state’s conceit of redressing social and economic inequities.