Content from Blond Indian Films

A man in chains, a young man who dreams of being part of something, to become a militant for an armed group who must wield a cruelty in which he may not believe in. The characters, each voluntary or involuntary part of a mechanism that overcomes them, reveal their greatness or misery in the “minimum” tasks that they perform to survive. From that sometimes morbid poetry of the everyday and the irrefutable truth of the details, we see a country whose social body is sick and injured.

In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.

On the arid island of Fuerteventura, Miguel and his daughter Mariana struggle to move forward after his wife’s death, a loss that has set them adrift. Traditional wrestling is all they know, their way of making a place in the world. But Miguel’s body is failing him, and Mariana’s anger is pushing her to break the rules. As the championship final approaches, father and daughter find themselves on uncertain ground, searching for a way back to each other before it’s too late.

Anna pays a surprise visit to her grandmother's country house, hoping to spend the weekend with her. Her mother, Yulia, is also there. But Anna was raised by her grandmother and is not close to her mother. The three of them live together in this quiet country house, where long-standing conflicts become invisible and hidden secrets and traumas are uncovered.

During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

Gunnawin has returned for a few days to Sierra Nevada. She is a university student in Bogotá and is not willing to stay and accept Nawingumu’s courtship. However, the final decision goes through the Mamo. Framed in the majestic landscape of the mountains and the customs of the Arhuaco people, Kun Bi is a forceful dialogue between those who stay and those who leave.

1492. Among the crew led by Christopher Columbus travel three men who by now should have been dead. They managed to avoid their sad fate by participating in this uncertain journey. After reaching the Canary Islands they flee taking with them one of the ship's sails. Meanwhile, in the "Old World", a woman tries to save her dying sister by taking her to a healer. Both of these trips attempt to make fun of death. Both of these trips are at the mercy of history

Elba is an indigenous woman who has lost her roots. She is 63 years old and lives alone in a humble peasant house located inside a forest. She spends her days between her house and the forest. She fulfills her needs partially with what she finds along the paths she takes every day through the woods, that is where she gets seeds and plants. Elba is a hermit consumed by her own life. She lives obsessed with a picture hanging in her room; a photo of an indigenous girl on the day of her First Communion. The day arrives when Elba must battle her own delusions, revive them and expel them. This may or may not help her rediscover herself, her essence, her roots.