Content from Canada Council for the Arts

A minor traffic citation spirals into an all-consuming obsession for a neurotic young woman.

Ratgirl, a diffident 19 year-old woman, as she and her older roommate Alice discover their apartment is infested with rats — a claim which is adamantly ignored by their miserly landlord. Over the course of a hellish fourty-eight hours, Ratgirl unconfidently navigates sexual harassment, housing instability, ex-friendships, and suppressed mental illness.

At the height of the October Revolution during the 1919 allied intervention in Arkhangelsk, the exploits of one-legged Canadian soldier Lt. John Boles are told, after he is taken in from the cold by a dysfunctional Russian family and mistakes a local woman for his presumed dead lover.

Beauty’s Pride is an evocative short film to accompany Born Ruffians’ new album by the same name.

On a wedding day, women are confined to the kitchen to prepare the meal while the men wait to be served. While men talk politics and sports, women talk about their condition. A teenager observes the gap between the sexes. Co-directed by two actresses, Paule Baillargeon and Frederique Collin, The Red Kitchen is the birth of the Quebec women's cinema. The birth of the film was difficult, and funding has been largely achieved through donations from friends and a benefit concert. This war of the sexes takes place in a demanding formal research, based on the improvisation of the actors, whose preparation took place over long sessions in the workshop. The end result mixes black humour, horror and a very expressive fantasy that gave rise to heated debates.

Four young office workers have a bet going to see who can last the longest without going outside. In the maze that is the downtown core of a large city, glass skywalks connect apartment buildings, office towers and shopping malls. Its day 28 of the bet and over the lunch hour, as the office prepares for the company founder's retirement party, things start to seriously unravel.

A story about an aging crime family patriarch.

A surreal and comic exploration of an office space and its inhabitants and the decorations of a living room.

The mountain-village passions of a German widow and her sons unfold in the style of a 1920s expressionist movie.

Male prostitution in a Montreal brothel run by a hard-nosed procuress.

Twice Upon a Time is a fairy tale for all generations about a king with split personality, split time and a split screen. It is a story about dual nature of kings and things and how playing cards came to be. One half of the King represents a barbaric King, a crude but fearless warrior. The other half of his is a King-poet, a man of graceful poise and manners. They share their conscience, but have opposing wishes and desperately want to get rid of each other.

This unique narrative incorporating documentary elements follows Rey, a 40-year-old non-binary teacher and typhoon survivor, on a roadtrip to fame. With surreal comedy and social portrait realism, filmmaker Seán‌ Devlin explores climate change, LGBTQ+ issues, and the impact of colonialism on contemporary Philippines.

Over the years, a child's romantic ideals about death blossom into necrophilia, the study of embalming and the most profound relationship of her life.

A film about urbanity and Indigeneity dedicated to Kamala Todd's child.

Scatterbrained Polly gets a job as a secretary in Gabrielle's art gallery. Polly aspires to be a professional photographer, and idolizes Gabrielle for her artistic ability. When Gabrielle rekindles an old romantic relationship with the younger painter Mary, Polly becomes jealous, and discovers Gabrielle isn’t exactly who she claims to be.

In Living Memory is a bittersweet dialogue between father and daughter, challenging traditional notions of remembering and forgetting. This video explores the loving and sometimes stormy relationship between the two and explores the father's life as an artist and communist, who at age 93, is losing his memory.

Centres on Canadian animator Ryan Larkin, who in later years lived on skid row in Montreal following a history of drug and alcohol abuse.

An examination of the contrast between the industrial environments of the Okanagan Valley’s fruit orchards and the upscale vacation spots that surround them. The film documents the daily routines of migrant farm laborers alongside the leisure activities of tourists and retirees inhabiting the same landscape.

Fleeing to Tokyo with the hopes that she can fulfil her dream of becoming a dancer, Yume is met with the harsh reality that success isn’t something that comes quickly or easily. Whilst juggling her job as a hostess in Tokyo’s red-light district, Yume throws herself headfirst into studying the artform and integrating herself into the underground dance community.

While rehearsing a sexual assault scene, a pair of actors form a connection they’ll be forced to reconfigure once filming begins.