Content from Coruya Cine

A woman recounts the last night on earth of a 100-year-old man who fights for the redemption of the misdeeds of his life.

A group of working-class losers plot to give an old gypsy mobster a heart attack in order to recover a valuable car. They decide to build a monster to scare him to death. But they're looking for trouble.

Lucía is a psychologist who works for Line 117, assisting victims of domestic violence. One stormy night, a dark force breaks into her home and attacks her. Obsessed with discovering her attacker, Lucía is drawn into a spiral of shadows that draws her to the cursed lair of Guri, a worshiper of Mithras, a pagan deity.

While evil forces descend on Argentina, humanity’s best hope, a once-legendary shaman is confined to an insane asylum, powerless to avert the demonic resurrection.

Leandro is a troubled and withdrawn teenager. The breakdown of his family structure forces him to find solace in the streets. He slowly begins to descend into delinquency and crime. His relationship with Chachota, his closest accomplice, has deteriorated, and Leandro is certain that Chachota betrayed him to the police. He also implicates him in a series of robberies, which link him to "Gordo" Ovalle, a shadowy criminal whom the police have long targeted.

A group of young actors attempts to recreate some of the key scenes that tell the story of the Manuel Rodriguez Patriotic Front, the guerrilla group created by the Chilean Communist Party, 10 years after the start of the dictatorship of the genocidal Augusto Pinochet in December 1983.

Ulysses is a hundred-year-old man, he lives alone and is on the verge of death. The last night of his life, he will experience something that will force him to rethink his past, his present and his sight about his reality. Tortured by remorse of guilt, confused by his senile dementia, he must make a last effort to reach his death in freedom or to become a soul in sorrow in eternal return.

As Laura uncovers the secret history of Yenia, the perpetrator of a homicide, admired for her commitment to ideals and her unwavering ethical integrity, she will revisit her own story, her relationship with exile and the world, art, adulthood, and death.

After the death of explorer Emilio Lanzetti in 1920, allegedly at the hands of a primitive indigenous community during his search for a mythical place called the Black Rainbow, Fernando, his son and pupil, decides to embark on an expedition to continue his father's last work. His thirst for revenge and his ambition will make his journey a true descent into hell, for those lands hold a dark secret. The white man should never have challenged nature or embarked on that journey.

A railway fan embarks on a journey through the stations of the now-defunct Buenos Aires Province Railway while addressing, from his particular point of view, a tour of the last fifty years of Argentine history.

It is the story of three boys who can change the gruesome destiny of their lives through love.

Life is a Milonga is a film made by a milonguero director. Determined to organize a great milonga, he summons a great expert in the field, Oscar Héctor, a character who has been performing these dances for more than 50 years. Assembling the work team, choosing the best place, and publicizing the event are the challenge. Far from the stiff postcard and gender stereotypes, we get into the B side of Tango in the city of Buenos Aires. Driven by tango passion, we accompany our protagonists on the journey against all impediments, fashions, forgetfulness, preconceptions, to carry out what they like the most: the dance floor, the meeting, the hugs and friendship, because life , life is a milonga.

Gauchito Gil is a religious figure, an object of popular devotion in Argentina, especially in the province of Corrientes, where a shrine has been built that attracts hundreds of thousands of pilgrims each year. Its historical foundation lies in the person of the gaucho Antonio Mamerto Gil Núñez, who was born around 1840 and died on January 8, 1878. The documentary attempts to explore the paths of popular faith in Gauchito Gil. For the belief to exist, there must be people dedicated to spreading it: life stories that play an active part in building the cult.