Content from Cyprus Ministry of Education, Culture, Sports and Youth

In 1970 the people of Karmi in Cyprus participate in an unprecedented experience: the shooting of the film "Beloved", with Hollywood cast and crew. This documentary functions as a kaleidoscope, transmitting images of that magical time and of the traumatic changes in their lives after the Turkish invasion. Four decades later, they revisit nostalgically those old beloved days.

At age 19, Stratos committed a crime of passion. He spent half his life in prison, where underground boss Leonidas took him under his wing. One day during a rival gang attack, Leonidas saved his life. Stratos never forgot this. A free man now, Stratos works the night shift at a bakery workshop, a far cry from the killing contracts he executes by day. He gives away all his money to spring Leonidas out of prison, funding an escape plan managed by Leo’s brother, Yorgos. The fulfillment of his debt is the only thing that matters to Stratos, everything else is indifferent and he lives detached, surrounded by ghosts and fallacies. The day of the escape, the most important day of his life, is near…

A boy finds a glass ball inside a lake. Inside the ball there is a dancing bride. This unfolds the myth's thread. The guests of a wedding feast are waiting for the groom and the bride. The groom is a rich aristocrat, a great admirer of poetry and surrealism. He demands complete obedience in the law of absurd by all the guests. The guests are trying to win his favor by executing all his unreasonable wishes.

Fifty years after the coup and the Turkish invasion of Cyprus, Cypriot and foreign archaeologists, along with members of the Department of Antiquities' staff from that time, delve into personal memory, examine the collective trauma of war, and outline its impact on Cypriot archaeology. Weaving archival material from excavations with gripping personal testimonies, the documentary *"Skammata"* highlights significant moments in Cypriot archaeology, both before and after the tragic events of 1974.

Christian Orthodox tradition and travelling theatre troupes with their pagan roots are two seemingly opposite worlds, both mysterious and enchanting to the author.