Content from Dinaridi film

Jakov returns to hometown in order to take care of his mother whose suffering from a schizoaffective disorder, however, this intense new element in his life will slowly start to make his own psyche crack.

In the heat of a summer day, Draginja discovers a dead body that resembles her. In the heat of a summer day, Draginja hires a fake husband to show off in front of her friends. In the cold of a winter night, Draginja roams the streets hoping to recover her lost memory. Through three different life possibilities, a middle-aged woman tries to get out of her skin.

Ten-year-old Ida believes that the mysterious angelic singing resounding across the village graveyard is the only thing keeping her beloved Grandma alive. So she decides to join the school choir-even though she is absolutely tone deaf.

After their mother's funeral, estranged siblings Nikola and Saša spend three days in their childhood home, clearing out their mother's belongings and preparing the house for sale. Trying to postpone the inevitable, they also try to clean up their relationship. Failing to communicate as adults, they regress into childhood…

Routinely, but with dedication, Mare runs her small family’s modest household, even though a new washing machine is not the only thing that is missing. When a chance encounter rekindles her libido, she does not hold back for long.

A playful older woman likes to go rough with various men. Her son tries to spoil the fun.

Maša and her boyfriend decide to visit their friends who own a property on a small Dalmatian island. What starts off as a potentially fun vacation turns into a game of trust when Maša confides to her friend that she's expecting, with this sudden revelation testing the boundries of everyone's comfort zone.

Branka is a young caretaker who has recently moved to an island to look after an elderly woman. After the harsh winter is over and her job is finished, Branka decides to stay on the island for the summer season. She gets a job in tourism, but the pay is meager and the job exhausting, making it just a temporary solution.

In 19th-century Montenegro, the free mountain territories are surrounded by Turkish forces, isolated from the West and steeped in conservatism, patriarchy, and superstition. Morlak, a poet and bishop inspired by the historical figure Petar II Petrović Njegoš, leads his tribe in resisting the invaders. Gravely ill, he is sent to southern Italy in search of a cure. The journey takes him to a house in Naples, a city that contrasts sharply with his homeland’s isolated hills. As Morlak contemplates his existence, his loyal servant Djuko struggles with profound nostalgia, driven by the fear of his master’s death in a foreign land.

Nena recently started working as a school assistant to seven-year-old Dejan who has learning disabilities. It's one of the first Nena's grown-up jobs, and Dejan is a tough cookie so every day is a new challenge for the two of them. Apart from that, Nena also has to struggle with the rigid school system around them. Things look pretty bleak until one day a fluffy white friend comes to visit.

Cat rescue volunteer Mirna Kirin goes to the island of Mljet in an effort to castrate local cats. In only seven days, she traps dozens of cats. Her Don Quixotesque struggle, both with the cats and the islanders, intensifies as they often refuse to collaborate, and her attempts to explain the reasons for her actions cause her to break.

Migrant shipyard workers spend their daily routine in a dormitory on the Adriatic coast. In the evening one of them visits the nearby city.

In Melita Vrsaljko’s debut film Knin – Zadar we follow the daily routine of the director’s father, a railroad shunter at the Benkovac railway station, where time seems to have stopped sometime in the last decades of the 20th century. The basis of this film’s dramaturgy is a subtle counterpoint between serenity and expectation achieved by minimalist and static shots of a space in decay, against the backdrop of a quiet and multifaceted soundscape.

Somebody’s car is on fire. Somebody’s head got kicked in. Somebody got their mobile stolen. Will the troublesome adolescent break the vicious cycle of violence he may or may not have started himself?