Content from Dirk Manthey Film

You left your home to move far away. You were struck by a wind of change and were unfaithful to yourself. You reinvented yourself and you are now feeling free. But suddenly pressure arises in you.

Fifteen years ago Pablo, Andres, Juan and Carolina were together for the last time. The days when their lives revolved around the old hideout were they grew up as teenagers are now over. It was during 1987 when the adventure that made them fell free ended abruptly. Two seconds changed everything forever. A story that starts as an apparently normal reunion of old friends evolves into the pursuit to rebuild their lives with the pieces of others that were broken.

Chola and Fútbol are a couple of street dogs that live in the Los Reyes skatepark. A microcosm is organized around them, composed of things, animals and young adolescents in conflict with an adult world that they reject but are required to enter.

The Surire Salt Flat is located at an altitude of 4300 m in the Chilean High Plateau and is one of the most remote places in the world, keeping the treasure of untouched nature with all its beauty but also holding an allurement: a huge amount of borax, promising the mining industry profits at unknown levels. Surire, metaphorically tells us in an outstanding visual way the story of our planet - about the very important subjects of the disappearance of traditional indigenous culture, untouched nature, the environment, and the clash of new and old.

Carlos’ American dream is trapped in the labyrinth of the U.S. administration which refuses to legally recognise him. He arrived from Mexico as a child, yet he has been living in Chicago for 29 years.

They are women. They are mothers. They are inmates serving long sentences in a prison in Chile. Their children grow up far from them, but remain in their hearts. In prison they find the affection of other inmates who share their same experience. Mutual support among these women becomes a form of resistance and emancipation. Malqueridas reconstructs their stories through the images they themselves shot with cell phones prohibited inside the prison, recovering the collective memory of a forgotten community.

At first, there are a wrecked father and a daughter who wants to fix him. A cat falls from the 8th floor and becomes paraplegic. A medical experiment gathering 12 paralyzed people in China. A car accident in Italy. And then, La Mécanique des choses gathered everything in a journey, to fix the irreparable.

Four American teenagers have received a mission from God that takes them from the safety of their remote religion-filled bubbles to the other side of the planet. In the frozen forested lands of Finland, these impassioned, wide-eyed teens confront local Finns, Europe’s most non-religious and private people, and attempt to convert them to their faith, the Church of Jesus Christ of Latter-Day Saints.

Djalal is a young man struggling to find his place in the real world. He is obsessed with Lord_Sex, his Internet avatar. He has been building his cyber identity since his teens, recording himself recreating military operations and uploading his videos to YouTube. He has thousands of followers. He also has one of the largest private collections of weapons and military equipment. Taking his dream to the limit, he enlists in the Spanish army and volunteers to go to the Afghan front. He spends six months there with his video camera, recording in his spare time. Then he decides to leave the army. But it's not because he's afraid, it's because he's bored: war isn't like in the movies.

The filmmaker follows a girl, Roosi, for 10 years from age 8-18. She grew up as the child of an activist. She struggles to cope with climate grief and guilt. Roosi is torn between the path of activism and that of creativity and teenage ecstasy, while her complex and often tense relationship with her parents unravels. Struggling to find her place in the world, she navigates uncharted landscapes, revealing unlikely facets of contemporary cosmopolitanism through the eyes of a generation coming of age in an increasingly fluid reality.

Nowhere else does the experimental kitchen of digital democracy simmer as intensely as in the geopolitically threatened island republic of Taiwan. The "recipes" for these menus were created by activist students from the open-source community. Visionary Digital Minister Audrey Tang is spreading the concept internationally. At the heart of the film, however, are the creative cooks of the LGBTQI+ community and the emerging environmental movement.