Content from Fantasia Audiovisual Ltd.

The story is a contemporary version of the ancient Greek myth of Electra. Electra is a young girl foreigner in her own land, as well as in other lands. The only place she could seek her identity is her own private world that she tries to create. From Africa to Europe, the film is a puzzle composed by pieces of her broken identity. Electra's very journey is finally her own land.

A railway crossing in the middle of nowhere. Two guards: solitary Yiannis who never leaves his post and cool Antonis who goes with the rhythm of the landscape. Every once in a while, a voice announces the passing of a train. The two guards manually lower the bars. Nothing seems to stir their daily routine until love charges in, crushing all certainties.

A Greek filmmaker plans to shoot a film, following the footsteps of the Greek revolutionary Rigas Feraios. While visiting the cemetery, a small crowd of ghosts of the 18th century personalities decides to follow his path.

In a tale rooted in ancient Greek tragedy, a patriarch must decide the fate of his son and the boy he raised when a long-standing unneighbourly feud turns to murder.

Two men who live in modern day Athens decide to start the quest for Laura Durand, a porn star of the 90's who has disappeared mysteriously several years ago.

While attending a reintegration programme, Lena finds a job that gives her access to the rural jail for minors, where her son is serving his sentence. Last time she saw him, he was five years old.

Greece, Russia, USA, Brazil, China, Senegal. Meeting young people in these countries we heard a ‘Rumble’ foretelling an impending explosion. The fall of communism, crisis of capitalism, ecological catastrophes, migration waves, globalization. The new generation is at the forefront, exposed, helpless without being able to envision a more optimistic future. This ‘Rumble’ comes from this young generation. Their words, images, sounds and music compose the notes of an audio-visual symphony entitled: ‘The Rumble of the World’.

The director creates a parallel of thirty years of her life (mid-1980s to 2012) and the evolution of her country, Greece. The loss of her lover, revived in archive photographs and 8 mm movies, is the background for her despair facing contemporaneous Greece, seen by her in the streets and viewed on television broadcasts from American and Russian channels.