Content from Film Development Council of the Philippines

A fading social media influencer and a struggling musician exploit each other in a not-so-fake relationship.

A transgender sex worker in her late 40s along Fields Avenue whose only aspiration is to have breast implants for her profession unexpectedly assumes the role of a mother to her orphaned niece, a transgender youth who is only beginning to discover her own sexuality. As she works more shifts to save for her implants, troubles arise when she begins to feel the weight of her struggles – being an aging sex worker in fast-evolving society, a partner to her young fiancé, and a parent to a teenager she just met. Her difficult confrontations eventually lead her to a new attitude towards life, and a unique recipe to a famous Kapampangan dish, Sisig.

In order to bring her brother back to life, Abby must win in the Game of Life against the Angel of Death.

Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.

A historical drama focusing on Manuel L. Quezon years after the Philippine Revolution during the American occupation. When his fight for independence from the United States is put to the test, Quezon finds himself playing the brutal game of politics to outmaneuver his rivals — including Leonard Wood, Sergio Osmeña, and Joven Hernando. In Quezon’s relentless quest for power, he ultimately faces off with Emilio Aguinaldo in the 1935 presidential elections, using charm and favoritism as both weapons and currency, in a campaign that ultimately changes the face of Philippine politics and history.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

"ANG MGA KIDNAPER NI RONNIE LAZARO" is about a group of down and out-of-luck men who decided to make a film starring Ronnie Lazaro, the most sought-after indie actor in the Philippines. Things get complicated when Lazaro decides to beg-off from acting on their supposed "indie film" and the guys were forced to abduct the actor." - Agimat Project

A driver is sent on a simple errand: to pick up a designer t-shirt and a tin of viagra for his boss, who is shacked up in a hotel with his lover. Simple as it sounds, the road trip crisscrosses the chasms of time, class, and character.

When an alien comes back to take him, a mouthless young man's life twists and turns as his memories untangle.

The movie is a fictionalized account of a disgruntled cop who has been wrongly implicated in a torture video that went viral. It begins on his last night of duty, as he is about to leave for abroad for better job prospects.

Beloved by revolutionaries Andres Bonifacio and Julio Nakpil, Lakambini Gregoria de Jesus' quest for justice mirrors the film's journey to reclaim the legacy of a forgotten heroine.

T’yanak is the story of Julie’s adopted baby who transforms into a monster and terrorizes their quiet town of Putting Bato with a series of brutal murders, including the wife of townsman who gets wrongly imprisoned for T’yanak’s crime.

Ang Babae sa Likod ng Mambabatok unravels the multiple layers of the almost mythological figure-living legend, Fang Od, a 92 year old woman who has been called the ‘Last [Traditional] Tattoo Artist of Kalinga.’ The first layer of the story is the one she is most famous for-being a tattoo artist. At her eyes, she continues to exhibit sharpness and precision in the very demanding art and skill of tattooing. The second layer shows her many stories as woman who has reached the age of looking back. She regales us with stories of her many suitors, of her youth, the dancing and the feasts. She also looks back with not just a tinge of regret that she never married nor had children of her own. Her body covered in tattoos is a landscape on its own mirroring the map of a woman who has chosen wittingly or unwittingly a road diverging from convention and in the process became a culture-bearer.

An awkward 6-footer teen is forced to learn and play volleyball half-heartedly when the Catholic school she transferred to did not have a basketball team. Everything changes when she meets their star player.

A Filipino drama film directed by Kristina Syfu.

Orphan Carding befriends Army Captain Samuel Corazon, who’s stationed in his town to root out the remaining Huk guerrillas. At the dance hall, Corazon woos dancer Lauriana, and they soon move in together. The two become sort of surrogate parents for the orphan Carding, with Corazon teaching him the ways of men. But the soldier has a dark side, and Carding becomes witness to the violence occurring in their home, and a heinous act committed by the soldier on his common-law wife.

A coming-of-age story of two children whose lives and friendship are shaped by the festival and their devotion to the patroness of Jaro district in Iloilo City.

A political thriller about the practice of "badil" or "dynamite fishing", wherein voters are prevented from casting their votes for the opposition by paying them large sums of money to get their fingers inked before election day.

During the annual Division Math Olympiad, a 4th-year high school achiever, Andrew, faces his estranged relationship with his father as he tries to find the solution to the equation of a line.

A woman whose whole life is her art, but when she loses it she goes into a self-exile, only to be, hopefully, reinvigorated by a young boy daring to bring it all back.