Content from Filmuniversität Babelsberg KONRAD WOLF

It’s after hours in a furniture store, and three young protagonists call for the help of a vaping fairy godmother. But will a supersized bed save the throuple or break them apart?

Vivi is exhausted. Actually, she is about to become an attorney and to move in together with her boyfriend Adam, but somehow, she is stuck. She tries to flee back to her Moms couch, only to find that there is no more space for her. Vivi's father assumes that she needs some rest and sends her to an island...

Sarah and her parents celebrate her confirmation. But instead of eating the lobster on her plate, Sarah hides it under the table. When her father finds the lobster there, he draws the consequences.

A printer won't stop printing, civil servants who constantly celebrate birthdays and a fisherman who doesn't catch any fish. A man finds himself in an office and is confronted with all these things. Involuntarily, he has to admit to himself that Sweden was nothing special and that smoking is deadly.

12-year-old Fabi has to finally prove himself as one of the family - by getting his first scar.

A drama with a supernatural edge, this genre-crossing gem finds two couples visiting a home from their past, and sexual tension that brings out the worst in each other. Long-buried grudges resurface and it seems unlikely the couples will return intact. Faced with an outcome that will upset their delicate balance of happiness, the world offers them a bizarre opportunity to correct it.

Paula, a young supporting character, studies at the Main Character School and dreams on graduating to become a lead.

15-year-old Nike is torn between her wish of belonging to the cool clique around her friend Jess and individual autonomy, which to her is represented by her new friend Lea. When she takes Lea along to a party she does not know how to react to the competing friends - resulting in her not reacting at all. - The film deals with mechanisms of inclusion and exclusion the disorientation of young girls, whose identities are rather theatrically claimed then actually realized – a Brechtian teen drama.

After 20 years Moni (38) returns home to her sister Silke who has been attacked by a stranger. Moni is willing to do anything possible to find the attacker and to protect her sister. But is that really what Silke (34) wants? And if so, who is actually the one, to be protected? And above all, protect from who? And which role does the offender René (38) play, who doesn't even understand why he did it. A melancholic film that plays with three different perspectives and constantly reinvents itself while searching for answers.

Mr. Nguyễn came to Germany from Vietnam with his family in the 1980s. After reunification, his wife returned and he stayed behind with his young son. Since then, he has run a fruit and vegetable store, where the somewhat gruff Harry now works as a temp.

Victoria wants to appear determined and clear on the outside, but struggles internally with her fear. David wants to do “the right thing” and meet the expectations of him as a man. On the day before her abortion, Victoria tries to deal with the conflicting feelings that this situation brings with it. Between juggling everyday life, a painful decision and unspoken needs, a fragile dynamic emerges between self-determination and the silent desire for honest connection.

In the southern United States, two young women meet by chance in the back of a police car and, without saying a word, experience the injustice hovering above them.

Two craftspeople, Uli and Didi, are working on a swastika in their workshop. Somewhere between a rural idyll and the monotony of country life, they wonder about the strange newcomers to their village.

Describes the state of a couple in the off season, shortly before the birth of their child. Gregor surprises his girlfriend Judith with a wellness holiday in Sicily, but Judith would rather go to work than lie on the beach. Her boyfriend’s expectations with regard to the baby and his eagerness for family life create an ever-greater distance between the two.

Schmitke is an old German wind turbine engineer. One day, he is dispatched to the Czech side of the Ore Mountains to fix an old squeaking wind turbine. His colleague disappears and mysterious things begin to happen in the forest.

The shy Hugo is a caretaker in a prefabricated building. He feels at home here, is appreciated by the residents and sings his songs in the corridors. Dramatic changes make Hugo uncomfortable in his home. Similarly dissatisfied is Johanna, who lives in a bus in front of the house and faces racism and sexism on a daily basis. The two grow closer - sharing a sense of not quite belonging and, above all, a love of music. For Hugo, the world is visibly coming apart at the seams: birds that reject freedom, a dollhouse that develops a life of its own - At the same time, a catastrophe is brewing in very real life that puts Hugo and Johanna's friendship to the test.

Where do we go when everyone wants their country back? A film about collective guilt and what remains between two people when an entire nation looks away.

Forty tons is no burden for Bruno. When he climbs into his truck and drives along Brandenburg's roads, he feels free. It's different at home. Bruno is a good husband. And a loving father. But the burden of family life weighs heavily on his shoulders. As often as he can, he escapes to his driver's cab. Then Ricky crosses his path. This encounter throws his life completely into question. He has to decide whether he wants to continue living his old life or start all over again.

Nane is a harvest worker. Together with her friends she is waiting for the harvest to start. But instead of a GO she gets confronted with other problems.