Content from Hong Kong International Film Festival Society

Exceeding all his expectations, Ming is chosen to represent his school at running. He treasures this last opportunity in his secondary school life and does his very best to prepare for it. However, on the eve of the competition, he decides to give the opportunity to his best friend. There is more to competition than just the end result. Pride, dignity, dreams and friendship are put to the best.

Moon Lee, a celebrated award-winning actress, has become a full-time mom and divorcée since retiring. Desperate to regain her sense of self, she jumps at the chance to work with her long-time collaborator, director Roger Woo, again. Only this time, he casts her as the lead in a do-your-own stunts martial arts film. The role requires extensive training and though Moon is at first uncertain, she leaves her young son in the care of Roger’s assistant and commits herself to back-breaking training. As soon as she starts to gain some confidence, Roger breaks the news to her: the only way the film can move ahead is to cast her ex-husband, Julliard, as the male lead.

A parable about the nature of good and evil, in which a prince goes on a quest to learn true wisdom before he claims the throne.

In 2015, Tsai Ming-Liang was once again invited by the Hong Kong International Film Festival to make the opening short film. This time, he selected Shibuya station in Tokyo as his main filming location and invited the famous Japanese actor Masanobu Ando to appear alongside Lee Kang-Sheng. They sleep separately at a capsule hotel and cleanse themselves at a public bath. Their fatigued bodies yearn for sleep but restless minds keep them for falling asleep. "No No Sleep" won the Best Director Award at the Taipei Film Festival.

In 2012, the Hong Kong International Film Festival invited Tsai Ming-Ling to make the opening short film. Having grown up with Hong Kong's popular culture, Tsai Ming-Liang decided to pay homage by making a "Walker" film, contrasting the Walker's slowness with the frenzied pace of Hong Kong's cosmopolitan life. The film ends with a song by Hong Kong actor and singer Samuel Hui, who was Tsai Ming-Liang's idol during his youth. The film was invited to be the closing short film for the Cannes Film Festival in 2012.

A hit-and-run accident transpires two families. When her husband succumbs to death, Nita files a criminal case. Alfredo is sent to jail after pleading guilty in place of his son Rafael, but Rafael cannot be released from the burden of guilt.

While inspecting a wharf, young Amano, president of an urban planning company, meets beautiful laborer Takako and falls in love at first sight. However, she does not return his affections, so he steals her ID card and goes on the run from the infuriated Takako.

Casting a sword with one's bare hands may sound like a crazy idea to many in the high-tech, digital 21st Century, but not to Fung, a stock broker, who welcomes the assigned task that bears special meaning. When Fung is bequeathed a tattered notebook by his father Lang on his deathbed, his life is turned upside down. Tasked with a heavy undertaking, Fung has to think and look out of the box before rolling up his sleeves to forge the sword. Through the tedious process of annealing and tempering, grinding and cutting, he begins to contemplate the meaning of casting a sword, and of the elusive father and son relationship.

In the prosperous city, a monk wearing a brownish-yellow Buddhist gown begs for alms and blesses passers-by with a smile. After bring moved on by the police, after concerns voiced by a production unit, and after an encounter with an old woman who gives him alms, he begins to ask himself: Who am I really?

Eight segments of opera films: Sheng Xinma performs a monologue from A King's Revenge (1955), followed by an excerpt of The Patriot's Sword (1958). Cibo Liang is featured in An Immortal Refuses Love (1958), and Yutang Bai appears in The Wonder Boy (1961). Segment five shows Xingbo Liang, Jiasheng Lin, and Cibo Liang in The Impartial Bao Gong (1967), while segment six is a performance by Northern opera actress Suqiu Yu. The last two are versions of Red Maid, The Matchmaker, first a 1958 film with Yanfen Fang and An Banri, followed by one titled The Little Go-Between, featuring Baobao Feng and Cibo Liang. It was originally double billed with South China Stars Special.

Short film from omnibus 'Beautiful 2015,' commissioned for the Hong Kong International Film Festival Society.

Ma and Sze are buddies from the same school. Sze, who is bullied by Jaa, a tough guy from another class, urges Ma to take revenge on Jaa for him. Meanwhile, Jaa and his gang continue to bully Ming, the weakling of the group, by stripping him naked in front of the whole class...

Yin, a ten-years-old boy, grew up in a single parent family, gangs up with bad peers and spend most of his time in video game parlours. One day, Tin is egged on to take part in a theft, and event that will leave an indelible memory in the young delinquent's heart...

The custom of exchanging gifts at Christmas is no easy ritual for a little girl who resorts to collecting rubbish in order to raise enough money for the occasion. This film offers no earth-shaking scenes, nor heartstring-pulling sentimentality, but a glimpse of the world through the eyes of the little girl, so that we might feel what she feels about the society and humanity, and have empathy with rather than sympathy for her.

He meets her on a journey with no destination. She talks to him in the station; they have fun and stay together in Tokyo, until finally he leaves. But when he thinks back over those days when they were still together, he cannot understand anything she said.

An anonymous love letter leads Bob to believe that his ex-wife had had an affair with one of his five close friends before they divorced. Eager to know who the clandestine lover was, he arranges a get-together with his old gang, the "Six Tigers", hoping to find out the truth at the table.