Content from INA

Shortly after murdering his professor, a young man encounters a sailor who offers him a position on his ship in exchange for 3 Danish crowns and his attention as he recounts his life story.

At the end of his life, gravely ill, François Truffaut took refuge with his ex-wife Madeleine Morgenstern. She tried to keep him occupied during his long agony. The filmmaker confided in his friend Claude de Givray, with the intention of writing his autobiography. Too weakened, he abandoned the project. The film reveals part of this final story.

This film is an uncompromising portrait of a woman who no-one could have imagined in a position of power a few years ago . A look at the woman and, through her, at the party that continuously raises concerns and stirs up the media.

A man and his sister meet at a seaside village to discuss their relationship.

"What could be more unsettling than a man close to death whose profound arrogance drives him relentlessly to hang onto both his power and his writing, to the bitter end?" In the twilight of his second seven-year term, François Mitterrand was alone. Ravaged by illness and abandoned by a large majority of the Socialist Party, who would not forgive him for the disastrous outcome of the March 1993 elections, the Head of State was preparing to tackle a second round of cohabitation with the right wing. However a series of unexpected tragedies and revelations would arise, casting a shadow over the end of his reign…

In this complex chronicle of the evolution of a provincial family's life, the story follows three generations of at least two neighboring families from the 1890s to the 1970s. In one of many related tales, a man who was engaged to the older daughter of a farmer elopes with the younger one. After many years and the birth of five children, the man leaves his wife and family for the bright lights of the city but continues turning up from time to time, until he is finally taken into the home of one of his sons when he is a quite old man. The complex interactions of the legitimate and illegitimate children of a womanizing miner give rise to yet another set of related stories.

Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.

In this astonishing twelve-part project for and about television — the title of which refers to a 19th-century French primer Le tour de la France par deux enfants — Godard and Miéville take a detour through the everyday lives of two children in contemporary France.

A structure-free, four-part examination of the rise and fall of the Third Reich. Each part explores a different topic, from Hitler's cult of personality in propaganda to how said propaganda was associated with pre-Nazi German cultural, spiritual, and national heritage to the Holocaust and the ideology behind it, particularly from Himmler's point of view.

South Africa, July 11th, 1963. Several members of the African National Congress, an organization declared illegal, are arrested in Rivonia, a country house near Johannesburg. The detainees, along with Nelson Mandela, imprisoned since 1962, are charged with serious crimes for their radical activism against the apartheid regime.

It is the epic of the heroes of the first century of aviation, since the flight of the first plane on December 17, 1903 until today. A striking collection of portraits of outstanding men and women like Louis Blériot, the first to cross the Channel, to Lindbergh who crossed the Atlantic and Amelia Earhart and many more...

A brief, fictionalized time period in the life of Professor Kant. The story is set in his hometown, Konigsberg, chronicling his last few years prior to his death in 1804 at the age of 79.

Documentary of the S-21 genocide prison in Phnom Penh with interviews of prisoners and guards. On the search for reasons why this could have happened.

Two married couples share the same holiday house. Everything seems to go smoothly except that Pierre, one of the two husbands, is irresistibly attracted to Marthe, his friend's wife. As for the latter, she feels exactly the same for him. One night (or is it the same thing every night?) Pierre and Marthe remain in the living room after their mutual partners have gone to bed. They talk and banter pleasantly until they half-wordily evoke the present that could be theirs if they had married each other or what future they could contemplate if they escaped together.

A look back at "La Cage aux Folles", which ran non-stop for five years, from February 1973, on the stage of the Théâtre du Palais Royal in Paris. At a time when homosexuality was considered a crime by the law, Poiret and Serrault achieved great success in boulevard theater. Their success continued on the silver screen, with three Oscar nominations and a Broadway musical. Combining never-before-seen archives from the play, extracts from the film, confessions by Poiret and Serrault, and interviews with witnesses, this is the story of a wild epic.

Alternating interview segments, shots of Martinique landscapes and scenes from Aimé Césaire's play La Tragédie du roi Christophe (1963), Sarah Maldoror portrays her friend as a politician, a poet, and a founder of the Négritude movement.

A compilation of the most spectacular TV moments thanks to the presence and evocation of Jean-Luc Godard on the small screen. Godard's presence has never been, and never will be, anodyne or banal. The subversion of everyday television.

Charles de Gaulle, the first president (1958-1969) of the Vth Republic, France’s current system of government, left his mark on the country . He was statesman of action and has been compared to a monarch. This film depicts the general’s personality through the great events of his presidential term, at a time when the world was undergoing considerable changes.

North Africa, 1954. The Algerian war of independence begins, a traumatic and extremely violent catastrophe that for eight long years will shake and finally overthrow the foundations of the colonial regime established by France in 1830.

In this radically unconventional television series, Godard and Miéville analyze the political economy of personal and mass media communications in relation to society, culture, family and the individual. Their inquiry focuses "on and beneath" communications in a provocative critique of the power of media images in contemporary culture and everyday life. Each of the six programs is constructed of two complementary segments: A discursive visual essay on one aspect of the production and consumption of images is paired with a related interview on labor and leisure with an individual — an amateur filmmaker, a dairy farmer, the mathematician René Thom, Godard himself. These extended interviews provide a subjective counterpoint to the theoretical essays on work, economics and mass cultural imagery.

From the first men in their flying machines to World War One, from the first Atlantic crossing to the supersonic era, this is the story of the most daredevil challenges the world has ever known, braved by the men and women who wrote the history of human flight.

Documentary tracing the history of French organized crime, from the rise of the "Milieu" to the cyber-criminals of the 21st century. The series features extensive archival footage and testimonies from prominent figures of the "Milieu" speaking out for the first time.

A series in which the auteur interrogates a boy and a girl from two families in an attempt to get back to the origins of language and movement.

Three programs made on the basis of material gathered for the documentary His Master's Voice, where twelve CEOs of large French companies face the camera and talk about power, hierarchy, trade unions, strikes and self-management: Secrets About the Worker; A Spanner in the Works and The Battle Started at Landerneau. The three parts were banned from French national television (Antenne 2) but released at Cinéma La Clef in Paris a few weeks later.

They are among the very few survivors. 44 survivors testify. How do you get out of Auschwitz, how do you rebuild yourself? How do you talk about this ultimate experience and also how do you pass it on?