Content from Kirin Productions

In a world where an AI programme allows people to communicate with their deceased loved ones, a flight attendant and a mother question the meaning of reality and humanity.

Hyo-jeong, a 69-year-old woman, is raped—but few people, including the police, are willing to believe what she says.

Hana, who lives in a gloomy basement without sunlight, moves to a sunny rooftop. Hana, who begins to grow plants after being able to use her rooftop to her heart's content, gradually recovers from her exhausted daily life through her plants.

Young-mi, the bookkeeper at a factory, is ridiculed for her dowdy appearance and called 'Ms. Apocalypse' by her colleagues. Do-young, a delivery driver, is the only one to show her any decency and kindness. As her feelings for him grow, Young-mi strives to get him off the hook even when she finds out that Do-young has been embezzling company money. It becomes the last day of 1999, and in the midst of people's fear that the world will come to an end, Young-mi gets arrested for aiding Do-young's crime. And thus, her new millennium starts wretchedly. As she walks out of prison after a few months, she comes across Do-young's wife, Yu-jin, waiting for her and this unexpected visitor makes an implausible but compelling offer.

After losing their grandmother’s precious shoes, Su-min and her younger brother Dong-min accidentally fall into the netherworld where they encounter a mischievous band of kokdu, the mysterious guardians of the afterlife.

A letter arrives in every house on Sorok Island on the 23rd of November 2005. The letter read the last words of two nurses. "Being old means not being able to work well and saying goodbye..." These women who came to the island in their 20s left just like that... Marianna and Margaret are two angels who took care of leprosy patients for 43 years. We take a look back at these two people's love for 43 years.

An exploration of different personas in an eclectic collection of four works by critically acclaimed Korean directors.