Content from Les Films du Camélia

France, World War II. In order to somehow make ends meet, the mother of two children, Marie Latour, does underground abortions and rents a room to a familiar prostitute. She doesn't pay any attention to her husband, who returned from the war because of his injury and lives her own life. Abortions gradually begin to bring a good income, and boredom can be easily dispelled by starting a young lover.

After his father's death, a young man is introduced to a world of hedonism and depravity by his amoral mother.

Alma, alone in her big townhouse, and Mina, a single mother from a housing project in another city, have organized their lives around the prison visits they make to their respective partners. When the two women meet in the room outside the visiting area, an unlikely friendship begins...

Today, Camille turns nine. He had sworn that on his 9th birthday he would show his parents the videos he was shooting on the side - the tail of a cat scampering away, a window, and a veiled woman's face - an intriguing picture... Later that day, Camille's mother, Ariane, meets up with her son in the park. The boy appears perturbed. He is leaning against a tree, eyes cast down. He says that now he wants to return to his "real home" and his "real mother."

Overwhelmed when a figure from her past reemerges, Joan Verra retreats to the countryside with her son Nathan. There she experiences fragmented recollections of her past romantic encounters.

Police officer Lucie’s solitary daily life is disturbed by the arrival of a young couple and their little girl who move in next door. As she grows fond of them, she discovers that the father is an anti-police activist.

Sidonie Perceval, an established French writer, is mourning her deceased husband. Invited to Japan for the reedition of her first book, she is welcomed by her local editor who takes her to Kyoto, the city of shrines and temples. As they travel together through the Japanese spring blossoms, she slowly opens up to him. But the ghost of her husband follows Sidonie: she will have to finally let go of the past to let herself love again.

A time capsule of New York City between August 13-15, 1965, framed by the Beatles’ arrival in the city and their first concert at Shea Stadium. The film consists exclusively of archive material from the period (ABC, CBS, NBC), 8mm home movies and images of the concert, which was recorded with fourteen 35mm cameras. Four teenagers are sent on a trip through time and inserted in the archive material by means of animation.

Late 17th Century: Anne de Grandcamp and Lucie de Fontenelle, two little girls from Normandy, arrive at the Saint-Cyr school founded by Madame de Maintenon for educating the daughters of impoverished nobles ruined in wars and making them into free women. Madame de Maintenon is the secret wife of Louis XIV, and empowered by his support, she offers "her" two hundred fifty girls a playful and avant-garde education. Anne and Lucie, two inseparable friends, allow themselves to be carried away by the promise of a bright future. But Maintenon has arrived at the pinnacle of power through scheming and debasing herself and she now fears the fires of hell. She is counting on her model school to atone for her past sins.

Irene moves to Paris to begin a new life with her husband Jason and their two daughters, but an act of betrayal and her desire for revenge soon sends her to the brink of madness.

Isabelle Huppert's first one-character project — out of the blue, an electrifying, form-smashing tour de force, capturing (for those with ears to hear) our current moment.

“Agostino” tells the intense and dramatic coming-of-age story of Agostino, a 13-Years old boy who finds himself questioning his own identity and future during a dramatic summer vacation. Even through the troubled relationship with his mother and an authentic and necessary crisis, the boy eventually discloses the meaning of his life and the desire to rebuild his own world.