Content from Mecenazgo Cultural

A successful transgender actress and her lawyer husband decide to adopt a child, defying the conservative community in Argentina. But their attempt for a domestic happiness is thwarted when they visit the actress's hometown.

This comedy of errors revolves around a hapless 30-year-old named Arturo. His penchant for indiscretions is as impossible to overlook as the finesse with which the film glides from March 2020 to the preceding decade and back again.

In a remote valley in northern Argentina, the local herb of love, Muña Muña, is in bloom. Olga, a 60-year-old nurse, is preparing to say goodbye to her only son, who is about to leave the country, when she meets Stefano, a young French tourist. Their unexpected connection stirs a desire she thought was long lost.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

Greta and Bruno, her husband, struggle with grief after the disappearance of their son. Their friend Sina travels to the coast to help them sell their summer house.

Sebastian, a man in his thirties, works a series of temporary jobs and embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse.

In a small coastal town, a group of people isolated during the COVID quarantine seek solace and meaning in poetry in the face of death, while clinging to the fantasy of rebuilding their shattered lives. The film intertwines reality and dreams, exploring cinema as a refuge and reflecting on human nature and the power of art to transcend despair.

Dealing with a series of increasingly absurd situations and relationships, recently separated yoga instructors Gustavo and Vanesa are finding it difficult to live apart. Their challenges include meddling mothers, amnesiac students, and burgeoning romances. Step by step, they find their way back to the practice.

During a summer in which a teenager disappears, Popi and his friends get acquainted with the Cachirú myth. Fantasy will mix with the real tragedy in the group’s games.

Jesús López, a young racing driver, dies accidentally leaving his town in astonishment. His cousin Abel, a drifting teenager, gradually feels tempted to take his place in life.

Juan and Ismael are great friends, they work in a corralón in Moreno. Riding the truck they go through the winter and live with the harshness of work, they do it with humor, sometimes helped by alcohol. Friendship is a difficult wall to break between them. Juan, drives the truck and lives surrounded by dogs, Ismael, loads the truck and dreams of having money.

Colegio Nacional de Buenos Aires must elect a new school principal, and the students want to be a part of the decision. The school, in a state of permanent conflict, tries to resolve its disputes while a new wave of feminism percolates through the cracks of the building.

A young artist must move with his mother to an island, where there are only one hundred inhabitants. Your imagination, harmony with nature and love will be the keys to finding your identity on this path to adulthood that you have to go through.

A documentary that tells the story of one of the most successful Argentine films of the ‘90s: Wild Tango. With a controversy that few people know about and several detractors, the undeniable fact is that it was the first approach to cinema and local rock for an entire generation.

It is an approach to the figure of Fernando Martín Peña, but it is also a film about cinema, about a transcendental movement in its history, its spaces and rituals.

A documentary about the fans of "Waiting for the Carriage", the Argentine film classic directed by Alejandro Doria, and which investigates the obvious and hidden reasons for this phenomenon.

Based on the remains of never-completed Argentine features from the archives of the film museum in Buenos Aires. The film is, as it were, a parallel film history: an essay like a cinematographic Frankenstein, that blows new life into images that once seemed unsuccessful and pointless.

Pablo, professor at the University of Buenos Aires, has an affair with Luciana, one of his students. Natalia, another professor at the University of Buenos Aires starts an affair with her student Gonzalo. Two stories, as two sides of the same coin.

Buenos Aires, 2019. Lucrecia, who jobs as a museum security guard, foresees a sharp rise in the dollar’s value with her pendulum and falls in love with a currency exchange house employee.