Content from Mimesis Film

It's early May. Julius, a petty thief, has just been released from prison. The sun is shining, but the prospect of the future in the Teplice suburbs is certainly not warming: What to do? The same gang, will I be selling meth again? I'll be back in jail by winter. On TV, they're talking about some festival in Cannes. Some drunk, not an actor, apparently won an award for a film there and became a star. Sure, I'm going to Cannes! How? Hitchhiking.

Tomáš Etzler worked for seven years as a foreign correspondent in China. He came to know a country that was developing at an admirably fast pace, was swayed by its energy, and for a moment believed that modernity could bring about political change as well. Before long, it dawned on him that many people would continue to be severely punished, and the regime would still keep most of the nation in a state of indecision and ignorance. Without neglecting that face of China today, Etzler chose to tell a story of hope in his personal documentary. Using the example of an orphanage for disabled children, he shows that the answer to collectivist brutality and ruthlessness can be mutual assistance, tolerance and empathy.

The story of a soldier’s parents told from the perspective of their 17-year-old grandson, Janek

The year is 1764. For over a year, Josef has been leading a precarious life in Venice. He hopes to become an opera composer. The city, full of talented and already-established composers, seems closed to him. Looking for work as a violinist, he comes into the orbit of a rich young woman. Thanks to her, he gets the opportunity to play at salons. But his real opportunity arises when he becomes the lover of a libertine marquise. She teaches him worldly manners, rids him of signs of a provincial upbringing and introduces him to a hedonistic existence free from religious intolerance. Thus transformed, Josef gets an incan incredible commission: to write an opera for the San Carlo, Europe's largest theatre.

In 1939, a group of Jewish teenagers has to leave for Denmark in order to escape from the fate of their parents, relatives and friends. They spend 4 years together in a unique oasis, which enables them to start their new lives.

The film follows the staging of the opera Olimpiade while at the same time exploring the dramatic life of its composer Josef Mysliveček, a friend and teacher of W. A. Mozart.

Somewhere in the middle of nowhere in the Czech provinces, a handful of people come together: a paranoid prison guard, his hypochondriac neighbour and the latter’s silent, despairing wife, a lovesick nightclub manager and a stripper who is a single mum.

A shock therapy of news coverage from the war front. Documentarist Jana Andert spent eight months with an elite Iraqi Army unit on the front lines of the battle for Mosul, occupied by Islamic State fighters from 2014 to June 2017. An unflinching report from a city in ruins, robbed of its soul by one of the worst catastrophes of modern times.

The queen, or mother, bee, drones and workers. Industriousness, togetherness, and selflessness in the name of a functional community that leaves no room for egocentrism. This poetic essay depicts the fascinating world of beehives, the layouts of which are an example to human society. Through observations of insects and conversations with beekeepers, as well as references from Radomil Hradil's book Bees and Their World, we learn that the bee, objectively the most important creature on Earth, has become an endangered species due to the actions of mankind, whose greed and selfishness may lead to its destruction. It’s clear, however, that all will turn out well for Earth, with or without humanity…

In the heart of Rome, face to Saint Peter’s, stands a Palace. The owner, like a renaissance patron, has once been offering shelter to a bizarre group of friends, embracing their joyfully ambitious causes. The perfect hideout from where to pursue the most aleatory artistic projects, far from the hassles of life. Now in their 50s’, they are suddenly reunited by the premature death of their charismatic leader, Mauro. He left something tangible to the group of friends: hours of footage where he directed them in the most diverse roles, a supposed masterpiece that was never finished, and now a a mirror reflecting images from the past. The mourning, in the shudder of a moment, shakes the numbed spirits, leading them into a radical confrontation with their future.

A human flock runs across the landscape of fields. Thirteen performers in a teardrop formation form a single organism, guided by collective intelligence or intuition. It flows across the landscape of geometric patterns over terrain waves, flows around copses, divides, regroupes, and reunites. It stops at the horizon, rests, and runs on. The contrast between lively movement and the immobile geometry of the landscape. A hunter enters this magical moment. He walks across the field, climbs into a hunting blind, and loads his shotgun. The unsuspecting flock continues its light-footed, aimless journey.

An Israeli swimming tutor living in Chicago returns to Israel after 10 years of absence to bury his father. An encounter with a beloved childhood friend and his newly engaged girlfriend will set a series of events that will affect everyone's lives. A story set between a flower shop and an ancient monastery, between a swimming pool and the Mediterranean sea, between life and death - and somewhere in the middle.

Through unique artistic approach, the director reveals the world of autism - bringing the audience closer to the main characters - talented and creative children with a fascinating way of thinking.

Masha leads a double life: in one she is a photographer, a mother and an unloved wife, in the other she is a medium who daily keeps in touch with the subtle world of spirits using the "phenomenon of electronic voice". One day Masha realizes that the spirit with whom she has been communicating for a year is actually a living person, and really falls in love.