Content from Ministério da Cultura/Governo Federal

Discover the story of the father of the gang: Mauricio de Sousa, Brazil’s most important comic artist, and how he created his most famous characters. Responsible for bringing to life iconic figures that have marked generations, the film stars Mauro Sousa, the artist’s son. The production follows Mauricio’s journey from childhood, through his discovery and passion for comics, to the creation of a career once considered impossible and his adventures to make a living and achieve professional success.

Two great friends meet again after five years. Among so many things that have changed, the resumption of the bond awakens an old feeling for which they remain unprepared.

This film denounces the exploitation of natural resources by certain industries of extraction and transformation. This documentary is considered as the first Brazilian film on this theme.

An analysis of the phenomenon of accelerated urbanization in Brazil, and more particularly in Rio de Janeiro and Sao Paulo.

The plot follows a couple isolated on a sort of farm. Without internet or television, they prepare a game of seduction, where the main weapon is gastronomy. Cooking for each other, the characters reveal their secrets.

Noboru is a 10-year-old boy in search of his cultural identity. He turns to his grandfather Hideo, to find out more about his family. Despite always avoiding his past, his grandfather agrees to tell his story. As Noboru delves into his family history, he discovers he has an uncle he’s never heard about.

Between 1974 and 1976, while researching for his filme "S. Bernardo", Leon Hirszman shot three documentary shorts produced by the Brazilian Ministry of Education on the chores of the men who worked in the sugar cane fields in the town of Feira de Santana, in the cocoa fields of Itabuna, and in the efforts of building households in Chã Preta.

The film tells the real story of a public institution in São Paulo that, after being marked by violence, became a reference in education.

The first Brazilians who engaged in aviation, from Bartolomeu Lourenço de Gusmão with his hot air balloon to Alberto Santos Dumont, giving Brazil a prominent place in aviation. The creation of the Military Air Mail (CAM) and the Brazilian aviation industry. Commemoration of the centenary of the birth of Santos Dumont. The house where Santos Dumont was born; Bartolomeu Gusmão (Santos - SP); small hot air balloon Júlio César Ribeiro de Souza; 1881: his Victory balloon flies in Paris; Augusto Ribeiro; Santos Dumont: the balloon in the Torre Eifel, the 14 bis, the 'Demoiselle': real scenes of the time. Edu Chaves flies the Rio-Buenos Aires route in the 1920s. Current era: manufacture of the Bandeirante (assembly line). President Médici flies in the first Bandeirante; Xavante and Ipanema, Universal, rego elo and other models manufactured by Embraer in São José dos Campos.

The film documents the old Rio de Janeiro and its great focus of diseases. Stresses the decisive importance of Oswaldo Cruz who creates Experimental Medicine in Brazil, believing that without sanitation, no undertaking could succeed. Rodrigues Alves then started the urbanization of Rio, against great interests.

Cris and her family, residents of Ibura, on the outskirts of Recife, had to abandon their home due to the risk of collapse at the beginning of the COVID-19 pandemic. Pregnant with her fourth child and fighting for a tubal ligation, Cris works as a digital influencer while the family rebuilds their home.

In Aparecida do Norte, São Paulo, devotion to Saint Benedict has been constant since 1828. Folk groups from various regions of the country sing and dance, while the King, Queen, and their vassals, carrying the image of Saint Benedict, walk through the streets toward the church. The city is covered with rose petals and confetti. At night, after the solemn mass, a large fireworks display lights up the city.

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.