Content from Nar Film

Ishak, a wandering musician from a small mountain town. A lynching he was a part of 7 years ago comes back to haunt him as he returns to his town to say farewell to his dying mother. Facing the other five perpetrators--his childhood friends—as well as the community and government officials supporting them, Ishak struggles with the guilt weighing upon him. However, the bigger the crime is, the stronger the silence gets since everyone has blood on their hands.

At the times of World War II, accomplished painter and translator Aram flees Istanbul due to political offenses. When he is trapped at the USSR-Georgia borders, his flight turns into a remembrance of things past...

Tuncel Kurtiz is an international actor who has worked in various countries such as Turkey, Germany, and Sweden throughout his fifty-year career. He has starred in countless works in cinema, stage and television and has received many awards, including the Silver Bear at the Berlin Film Festival. He has directed two documentaries and a feature-length fiction film. Kurtiz's acting performance ranges from popular melodramas to major plays such as Mahabharata (Peter Brook), encompassing many different genres and styles. As an actor, Kurtiz believes in the creative power of chaos: 'Chaos is the most difficult to create / Not a false chaos / Many things come out of chaos'. Through testimonies, film excerpts, and archive footage, this documentary reflects Tuncel Kurtiz's diverse body of artistic work in all its dimensions for the first time. In the background of this detailed portrait are Turkey's turbulent years and the reality of exile.

Bekir makes a living by selling sacrificial sheep in his makeshift hut stuck among the plazas in Istanbul. One of the sheep that he has sold disappears. He has only two days to find the sheep or return the money.

Sumru, a young ethnomusicologist in search of her lost lover, leaves Istanbul for a three-month research project in Diyarbakır. While crossing paths with locals and tracing the pains of others through a music project based on Anatolian mournings, she comes to confront the remnants of her own agony.

Ferhat (49), a factory manager in Istanbul, and Handan (45), a bank manager, decide to have a child through surrogacy with Lia (28), a young artist of Georgian and Ukrainian descent. Shortly after their daughter Ada (1) is born, war breaks out between Russia and Ukraine. As a result, Lia is forced to stay in Istanbul with Ferhat and Handan for a while longer. Believing that surrogacy is the formula that will take her to Europe, Lia does not want to leave Ada.