Content from Office National pour le Commerce et l'Industrie Cinématographique (ONCIC)

In Algiers, during the Algerian War of Independence, one of the leaders of the FLN was arrested by the French colonial army, which used the most violent methods to make the prisoners speak. The use of torture poses a conscience problem for a French officer. Playing shot-reverse-shot, between the tortured and his torturer, in a suffocating camera, Mohammed Lakhdar-Hamina approaches torture by drawing inspiration from the story of his father, who died of abuse.

The story of the post-independence nationalization of the mill of Monsieur Fabre, an old man attached to the land of Algeria where he was born. In this small town in eastern Algeria, there was nothing else to nationalize and they were actively preparing for the arrival of high dignitaries who would elevate the mill to the rank of an industrial flour mill even though it was threatened with ruin. The comedy gets worse when the football player from the local team withdraws for love, the officials' visit is canceled and Mr. Fabre returns.

A prominent politician is murdered during a demonstration. The government and army are trying to suppress the truth. But, a tenacious magistrate is determined to not to let them get away with it.

Tahar, son of a wealthy family, is trying to preserve his privileged status despite the social changes brought about by the revolution. Tinted with historical symbolism, the film tells of the disaggregation of a feudal family when the father died.

A revolutionary militant is killed during the repression of May 1945. His son, who is unaware of the real circumstances of the murder, ends up being attached to the ideal for which his father died.

After saving an infant of royal blood, knight Brancaleone forms a new army and sets out to return the baby to his father: a prince fighting in the Crusades.

A modern couple seeks to find marital happiness in a context where Algerian society is taking the “first step” towards female emancipation. A woman becomes president of a popular municipal assembly. Will she find happiness ?

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…

In one of the tribes of the Algerian Sahara, everyone awaits the arrival of the hero who will defend the rights of the poor. A man decides one day to put the mark of the "hero" on his newborn son and the whole tribe celebrates the arrival of this eagerly awaited messiah who came to save them. This false hero then grows up by assuming his role of savior. Filled with cynicism, he crosses the countryside and has a number of adventures.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Maamar (Sid Ali Kouiret), a young fisherman working in a small port in western Algeria, is forced to sell his goods at a discount every day to Si Khelifa (Abdelhalim Rais), owner of many trucks and a cannery where the wives work fishermen. He has a strange encounter. As he returns from fishing, bassinet in hand, he witnesses a car accident. Indeed, a car hits a tree with a beautiful girl “Hayat” on board who has lost consciousness. Maamar pulls her out of the car and saves her. It is at this precise moment that he realizes the existence of another world. As if awakened from a long sleep, he realizes that this exploitation can no longer continue. He leaves his village and his wife Laâlia (Fatima Belhadj) on a whim for three years. He finds himself in the capital which he leaves to return to his village and carry out a saving action...

Seen right through the sandstorms that rack the lives of a tribe living on a desert oasis, is a subtle and not-so-subtle mistreatment of the female members of the tribe - tribal chiefs have the right to be the first to deflower virgins, and single or widowed mothers must walk a narrow line of behavior restrictions that do not apply to their male counterparts. Both genders, however, fight the brunt of the harsh desert winds together.

Inspector Tahar and his apprentice are invited by Mama Traki, a popular Tunisian heroine, to spend their vacation in Tunis. Before leaving Algiers, they stop at a tourist complex where a murder has just been committed. The investigation full of surprises and twists and turns will take them to Tunis where they will find Ommi Traki and his family...

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Selim Mechoubine, a young man of 28, is the eldest of a large family. In the cramped accommodation he shares with his parents, brothers and sisters... he occupies the kitchen, the refuge of his dreams and his many fantasies. Selim, the court clerk where divorcing couples parade..., wants to get married. His mother finds him “the rare pearl”. But now, the bride's family demands that the couple have their own home... Selim's misadventure begins; he finds himself confronted with the problems of the housing crisis which forces him to begin a long quest, procedures, requests to find the sine qua non condition for his marriage.

The story of a young Palestinian who left his refugee camp to become a resistance fighter in the Palestine Liberation Organization.

Hassan, tired and worn out by the long years of post-independence, obtains a taxi license as a veteran and will crisscross the streets of Algiers, experiencing the most incredible adventures.

In 1880, in colonized Algeria, it was decided that the Algerian peasants of the Ouarsenis mountains would see their lands dispossessed in favor of the French colonists. Two methods were used to achieve this, either by sheer force or by a ploy forcing the fellahs to pay fines too high to be paid. The uprooted must then leave for the cities, swelling the mass of proletarians in the slums ...

Freed after spending years in prison, an activist's homecoming turns into a dark affair as his disillusion clashes with his family's expectations. Demonstrating Chahine’s eclecticism, this is an elegant melodrama, exuberant musical, layered allegory, and profound portrait of personal and political disillusionment.

In a French nightclub, choreographed song and dance routines are performed, rather than a streamlined narrative. They tell the story of Parisian culture and politics from the 1920s—1980s. A disparate, anachronistic series of characters, including an ordinary waiter, a Nazi collaborator, resistance fighters, and 1960s student protestors gather to celebrate and satirize 20th century France's icons, demons, and social changes.