Content from Onassis Culture

In this mesmerizing experimental film, a Stephen King television movie is compressed and transformed through hypnotic black and white collage animation that meticulously reconstructs and reshapes its supernatural drama to an eerie and profound effect.

The performance is over, the actors step off the stage, the audience leaves the theater. However,in this case, the end marks the beginning. Eleven spectators star in their own tales, intertwined in a collage crafted by life itself. Restaurant and movie theater owners, immigrants and tourists, regulars and passers-by interact with the urban entourage and the people they come across, weaving a mosaic of endless possibilities.

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

After being called a liar for years, Stathis is forced to gather all his friends and take them to a top-secret location to prove the existence of a supposed rocket (that only he knows about). If he doesn’t show the rocket, he loses all his friends.

A railway crossing in the middle of nowhere. Two guards: solitary Yiannis who never leaves his post and cool Antonis who goes with the rhythm of the landscape. Every once in a while, a voice announces the passing of a train. The two guards manually lower the bars. Nothing seems to stir their daily routine until love charges in, crushing all certainties.

Two men go in search of a birdman to become a bird in nine steps.

Hamlet browses his desktop. Shakespeare’s play themes become transparent through the use of media. During an evening screen-mirroring, love, grief, anti-depressants, death, self- destruction are intermixed with endless references to pop internet culture, to animation, to current affairs.

Nelly has escaped from her wealthy and controlling family. As she dances in a strip club, she meets Markos, a small yet charismatic gangster, who helps her run away from her stepfather’s henchmen. Markos soon becomes her protector and lover. He brings her into Broadway, Athens, an abandoned entertainment complex squatted by a small community of dancers, tramps, thieves and a captive monkey. For a while, everything goes well, even when Broadway hosts a mysterious man, injured and covered with bandages, wanted dead by Athens’ most dangerous mafia. However, when Markos gets arrested and imprisoned, the newcomer will take an unexpectedly important place in the gang.

Eva Stefani follows the rehearsals at Onassis Stegi and the international tour of Dimitris Papaioannou’s legendary stage work, Transverse Orientation. Her film is also a portrait of the artist in his effort to give shape and breathe life into his work.

‘The Script: Make Yourself at Home’ will show the uncertain, absurd, ordinary and lonely situation most of us are in right now.

Humanity has been struck by a pandemic. People from around the globe have fallen asleep and nobody knows when they're waking up. Only few of them haven't been infected. Among them, there's a boy who fell in love with a girl right before the outbreak of the epidemic. With an old camera, he tries to capture the beauty that's left in the world, so the girl can see it when she wakes up.

A native acanthus (Acanthus mollis L.) is torn apart. Laocoon’s Group and the allegory of Saint Paisios of Mount Athos. Arvo Pärt's “Triodion” begins with Trisagion and ends with it. Every beginning of Spring, Aris suppresses the momentum of weeds in the garden.

Michalis or MJ is obsessed with fame, wealth and Michael Jordan. He is a trap rapper. "I am destined for greatness! I am already Number One! But why don't they love me?"

HOW ARE WE is a collectively-created performance consisting of fifteen 90-second solos that respond to 10 prompts proposed by artists Emily Mast and Yehuda Duenyas.

But to observe, you need stillness. You need to wait. To move slow. To expand time. To learn slow. To see.

This short cartoon features a text generated by a machine learning algorithm which has been trained on answers to the question “What is the meaning of life?”

“Every Hologenome For Themselves” is a series of microscopic stages and DNA-inspired performance scores for the world we live in now.

In this suspended reality, heightened by the pandemic, the forces of the city haven’t stopped. Filmed under the elevated 7 train, Soberanis' experimental audiovisual work slips between memories and reflections on the current moment in Queens.

In “A Compass for the House Door,” Alina Tenser and Gabo Camnitzer use the floor plan of their apartment as a schema to consider the shifting boundaries of traditional conceptions of space during the COVID-19 crisis.

The everyday life of a man locked down in a house takes imaginary turns. In times of isolation and deprivation, his mind leaps to the elusive, while he is restrained inside the four walls of his house.