Content from Seppia

In the middle of the Siberian taiga, 450 miles from the nearest village, live two families : the Braguines and the Kilines. Not a single road leads there. A long trip on the Ienissei River, first by boat, then by helicopter, is the only way to reach Braguino. Self-sufficient, both families live there according to their own rules and principles. In the middle of the village: a barrier. The two families refuse to speak. In the river sits an island, where another community is being built : that of the children. Free, unpredictable, wild. Stemming from the fear of the other, that of wild beasts, and the joy procured by the immensity of the forest, unravels a cruel tale in which tensions and fear give shape to the geography of an ancestral conflict.

With his new film "France" now in theaters, we look back at Bruno Dumont's early films "La vie de Jésus," "Flandres," "L'humanité," "Hadewijch," and "Twentynine Palms," all available online. What does it mean to film the sacred? What are his influences? Why is the question of evil central to his cinema?

Ștefania emerges from years of self-induced amnesia. She reveals the overwhelming memories of her childhood spent in Romanian hospitals due to a misdiagnosis. Now in her 30s, she seeks to reconnect with her alienated body and her inner child Nia through dance. This becomes her new language on the path to healing her wounds and relationship with her mother.

1945, the war is over. Defeated Germany is divided into four zones of occupation by the Allies. The French obtain the Palatinate, with Baden-Baden as its capital. Hansgerd Schulte, aged 12 when the French arrived, Jean and Colette Nurdin, teachers sent to a country in ruins, and philosopher and sociologist Edgar Morin testify. Author of "L'An zéro de l'Allemagne", Morin took part in the denazification of the country, which had endured twelve years of Hitler's dictatorship.

A cinematic journey into the heart of the Europe through the life-changing experience of young participants of Erasmus - the most ambitious mobility programme of our times. The film’s characters leave the comfort zone of their country, to prove to themselves that they can survive in a foreign environment, overcoming their fears and adapting to different cultures and mentalities. Set against the current European crisis, fueled by unprecedented youth unemployment and fears about the refugee situation, their journeys offer a bird’s-eye view of a continent in transition, giving a sense of what the future holds.

Alik, 25, has been raised by his grandfather, conductor of a renowned classical orchestra in post-Soviet Armenia where cultural institutions are failing and oligarchs allied with the mafia hold power. Alik, a clarinetist, is the virtuoso in this orchestra whose existence is seriously threatened when its key sponsor is murdered. One night, Alik comes into possession of a hired killer's mysterious telephone, which is used only to commission hits. Manipulated by a crook's daughter with whom he falls hopelessly in love and wishing to save the orchestra at all costs, Alik decides to take on the identity of the killer known as "The Virtuoso" and attempt to carry out his contracts. But Alik is a virtuoso musician, not a killer.

Peter Kerekes’ documentary focuses on the Bata shoe empire and the quest to find the next generation of shoe makers

On July 11, 1897, three men from Spitsbergen set off for the North Pole in a hydrogen balloon. They never return. 33 years later, a sealing ship discovers the remains of the expedition on Kvitøya, the northernmost island of Svalbard. This includes the bodies perfectly preserved under the snow as well as notebooks and film reels. Robin Hunzinger takes us into the story of the participants in Engineer Andrée's balloon expedition through the archives and the traces they left behind in a story structured like a crime thriller.

A Sense of Justice, immerses us In a law firm in this same city. There, we can find Christine Mengus and Nohra Boukara, specialized in the rights of foreigners, supported by Audrey Scarinoff and their co-workers.. Stories from their sad, appalling or tragicomic cases alternate with their daily legal work. And as we hear snatches of consultations involving illegal entry or departure, deportation orders, the right to reside or medical assistance, we become witnesses to predictable tragedies, to the administrative or social precariousness induced by such predicaments, and to whole lives depending on court rulings.

The adventure of the minitel, a small cubic terminal with a folding keyboard that began in the 1970s in the labs of France Telecom, is closely linked to Alsace. Alsatians had then in hand the future tools of interactive communication. What remains today of all those minitel years? Like a nocturnal and intimate road-movie, this documentary went to meet the last people who are still interested in the minitel, this strange beige box of access to telematic services, corny today, but pioneers at the end of the last century.

A portrait of the inventor of the letterpress, who was a key figure in the history of mankind, but also an enthusiastic inventor, a daring businessman, a tenacious troublemaker: the life of Johannes Gutenberg (circa 1400-68).

The Ferrari has become a fetish possession of the stars and an emblem of glamour. But who was Enzo, the man behind the black glasses? A sensitive portrait enamelled with exceptional unpublished archives.

At the top of Mont Ventoux hangs a huge poster with the names of all the cyclists who won Tour de France stages to the summit of this legendary “Giant of Provence”. But which one of these winners is the greatest climber of them all? The documentary feature The King of Mont Ventoux puts five cycling heroes against each other in an unprecedented virtual race beyond the bounds of time: Belgian ‘Cannibal’ Eddy Merckx (1970), Frenchmen ‘Jeff’ Bernard (1987) and Richard ‘the Lionheart’ Virenque (2002), the Italian ‘Pirate’ Marco Pantani (2000) and Spanish climber ‘Juanma’ Gárate (2009). Starting together at the foot of the giant, they battle it out over the 21-km ascent along a winding forest road to the lunar-like summit of the ‘Bald Mountain’; a gruelling one-hour test of endurance and strength. The first to reach the summit is crowned King of Mont Ventoux.

The film tells the story of the incredible fate of pianist Clara Haskil. She was celebrated very early as a prodigy. At the tender age of five, she was sent by her family from Bucharest to Vienna, and later, under the care of her strict uncle, to Paris to continue her studies. She will suffer from chronic health issues, survive two world wars, anti-Semitism, before having to go into exile in Vevey, Switzerland. That’s where she found the proper support, in the early fifties, to begin the career she deserved for so long, world fame and undeniable recognition.

A group of former Russian nuclear scientist has settled on a small Greek island with about 60 inhabitants. These "Russians", as the locals call them, had a promising future in the USSR or in the West. But they decided differently. More than 20 years ago, they decided to take part in a lifelong experiment to explore the basic questions of human society on the basis of Pythagoras' philosophy.

At a time when Germany, Italy, Spain and Switzerland have decided to move away from atomic energy and focus on renewable energy, France - the most nuclear-powered country in the world, with 70% of its electricity produced by its reactors - is planning to invest in new EPRs. Is this choice really compatible with the ecological transition? Although nuclear power plants do not emit CO2, their dismantling at the end of their life generates pollution of another kind: exponential quantities of contaminated waste, the reuse of which remains hypothetical and the storage of which is highly problematic. Not to mention the risk of disaster, as at Chernobyl or Fukushima.

The Vasa was built for war but also to impress the enemy and display power. However, she sank on her maiden voyage, taking about thirty people with her to the depths. Many were rescued from the water by small boats that were in Stockholm’s ström to witness the proud vessel. Today, 400 years later, researchers study this unique time capsule from the early 17th century. How powerful were Vasa’s 64 cannons? Who do the countless, colorful sculptures on the ship actually depict? And the big question: what was the reason the ship sank?