Content from Suricato

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.

A drama centered on an office worker on the verge of retirement who begins to relive both real and imagined memories.

After long decades of exile, a leftist former activist returns to Chile to settle accounts with his conscience, related to the death of a colleague and political hero . The task of Atalibar is to reveal his secret. But his view clashes with the current country, godless, far from the old ideologies and where all his old colleagues have changed.

An experimental four-part 2002 Franco-Chilean digital video series written and directed by Raúl Ruiz. The first part won a FIPRESCI Award at the Montreal World Film Festival in 2002 "for the director's personal exploration into his homeland, using DV in a rigorous yet playful manner".

The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas.

In a bar in Santiago, two old men talk over their past. This is a strange discussion. In fact, they talk of themselves as if they were dead. We don't know what is true or false, what is dream or reality.

Two brothers return to Chile after years in Iraq.

Series based on tales of sailors, fishermen and people from the coasts and islands of Chile. The episodes revolve around a ghost ship called "Lucerna", where the living are indistinguishable from the dead.

The trials and tribulations of a fashion house in 1950s Chile.

Helga Gunkel and Flora Gutiérrez, the first women of the Chilean police, are on the trail of a criminal who has returned for revenge on Kerren, a small southern town.

Historical drama adapted from the diary of the famous British travel-writer Maria Graham who arrived in Chile in 1822 just as the country was becoming independent from Spain. She is a woman coming to terms with her husband’s recent death: In her discovery of this breathtakingly beautiful country, its people and its customs, she learns to live again.

This was a man. He lived with his mother. He cared a manor house in the countryside of Chile. One day the man found a bone in the garden. The bone was bored. That was a bone flute. The man with the flute music play. And music song became. The voice of the song begging to seek the other bones of his scattered body. The man and his mother were in those ways of God and hell, looking for the bones that make up the skeleton of that Christian. And give him a Christian burial. And they saw what they saw, they lived what they lived. Many stories lived. And although they did not tell anyone, others told them.