Content from TV Brasil

Documentary on the view, testimonies and times of Darcy Ribeiro, since military dictatorship.

Since he arrived in Sao Felix do Araguaia, in Brazil, the Catalan bishop Pere Casaldàliga fights for the disadvantaged and the indigenous peoples. Casaldàliga must confront the landowners of the region and rethink the role of the Catholic Church.

The documentary brought the public closer to the work of artist Francisco Galeno, revealing his past on a trip to the Parnaíba Delta, in Piauí - a source of inspiration for his playful creations.

A documentary about football players in the low divisions of Brazilian football.

Sésamo is the second Brazilian version based on the famous North American series Sesame Street (1969–). This time, the series does not feature Garibaldo (Big Bird), the large yellow bird. However, we are reunited with the beloved characters Grover (André Milano), Come-Come (Cookie Monster, played by Paulo Henrique Santos), Bel (Thais Carvalho), Elmo (Kelly Guidotti), and Abby (Marilice Cosenza). As in the previous version, the show presents the puppets in their fun adventures, teaching the audience about various subjects in a creative way and following the daily life in the bustling village

Lutas.doc is a series of documentaries, with profound reflections on violence, their contexts and forms of representation in the history of Brazil. The series combines reflection density with a dynamic and accessible language. Great Brazilian thinkers, doctors of philosophy, psychology, economics, history and sociology, as Eduardo Gianneti, Olgária Mattos, Laura de Mello e Souza and Contardo Calligaris, alongside major political players such as Lula, Fernando Henrique Cardoso, Marina Silva and Soninha and graduates freethinkers of social movements, as Ferrez, Junior AfroReggae, Joao Pedro Stedile and Esmeralda Ortiz, analyze Brazilian reality on an equal footing. The country's history is reviewed, with a critical and daring look. With a dynamic rhythm and animation clips, episodes seek to bring highbrow audiences young and without much intellectual formation, likewise, to reflection.