Content from Universitat Pompeu Fabra

It's summer. Three friends meet. They will spend a few days in the mountains, camping, walking, chatting. As the days go by, so do their relationships, their misgivings, their affections. And when they return, nothing will be the same.

A fist-person story of the director of the documentary, who talks about the loneliness that entails living with an eating disorder and her vision now thar she is entering into adulthood.

Max is around thirty and lives with Emma, his intimate friend. Unexpected news create a gap between them causing doubts and concerns to grow inside Max, pushing him to go out at night. Walking aimlessly, Max spends the night alone and accompanied by picturesque characters in remote places of Barcelona. A night of absurd and fantastic drunkenness that is at the same time an inner journey for Max. Yo la busco is a portrait of two friends, their breakup and the strange transforming walk through the nightlife of Barcelona.

Eric, together with his friends Ona and Marcel, steal Pol's ashes, their recently dead friend, and begin a trip with the objective to throw them. Even so, the getaway becomes a bubble that separates them from reality and move them away more and more from the return to home.

Mila, an eleven-year-old girl, faces her last days of life before the end of the world. At the same time, she struggles to understand what this means and to keep her family together by holding a party for the final moment.

Agatha has just started University, but she still sees her old school friends, sharing parties, private secrets, trips, jokes and debates. A private world full of memories that she will now have to measure against her new college friends and the changes that she’s begun to discover in herself. The film Agatha’s Friends is the portrait of a group of 20-year-old girls during their first year at University as seen through Agatha’s eyes. From their lives in Barcelona to a trip up the coast to the Costa Brava, where Agatha will feel how the world she built with her childhood friends Carla, Ari and Mar, has begun to change.

This is a mother who lives inadapted to a world of rigid structures: those of the system, those of the family, those of women. With neither direction nor ownership of the spaces she inhabits, on impulse she decides to abandon her children and enter the forest. In this place giant trees, waving hands and the unknown quantity of some sheets emerge that will guide her at all times. Appearing out of the atmosphere, women dressed in white will accompany her as she mourns her motherhood.

Mariona realizes the distance formed between her and her friends when they go on an excursion together to the river pool they used to visit when they were kids.

Luna runs away from home in the middle of the night. In an unexpected encounter with a group of drag queens, she redefines her concept of family.

A desktop documentary that focuses on the Golden Record that NASA sent into space in the late 1970s. The piece reflects on issues such as the power of scientific discourse to produce revisions of the world, the evolution of the concept of the archive and the resignification of borders in the rhetoric of space colonialism.

Summer camp. Èlia and Nil kiss for the first time. They are the first campers, from all boys and girls, to ever kiss. Suddenly, the camp fills with an atmosphere of curiosity, discovery and enthusiasm.

Minutes before leaving the floor that they have shared for years and ending their relationship, Gala and Marçal try to confront all those feelings that they have never been able to express.

Greta's parents have decided that the three of them are going back to their hometown. Greta has to tell them that she won't return with them.

Arlet returns home, after being away for four months, to celebrate her twentieth birthday. This reencounter with her past, and with her family, turns the weekend of celebration into a process of coming to terms with a disease that has been haunting them for years.

Aragon, Spain. After living through her parents' divorce, Mar arrives in the summer in a mysterious town where she is fascinated by the horrifying stories about the Civil War and its terrible consequences told by members of a group of teenagers who seem to live according to rules that are strange to her.

This is the story of a man who created a jungle next to the highway, building with his bare hands beautiful and unbelievable works of engineering in the forest. This is also the story of how he ended up burning them to ashes to reconstruct them, time after time, over decades. He is known as “Garrell”, also as “Tarzan from Argelaguer”, and he is not driven by any apparent purpose, except one: going “on the go”.

A three-hectare ruined space in the middle of Montseny purchased with the hope of being able to raise a child in a privileged environment has ended up transforming into a labyrinth of books, words, artistic representations and reflections known as Bibliobosc.

Vega hits something on the road, but there is nothing on the pavement. Looking for help, she meets Elvira, who tells her that she may have run over a disoriented animal due to the solar eclipse that will take place in the next few hours. The strength and magnetism of the phenomenon and the environment will lead Vega into a journey she could never have imagined.

Bruno’s (18) life is increasingly limited by the growing dependence of his grandmother Natividad (86), the only family he has ever known. When the opportunity to take her to a nursing home arises, both will have to deal with a decision they had not allowed themselves to consider before.

Three college friends go on a creative retreat in the countryside to finish their dissertations. After university, Jana is planning on moving to Canada to study and Alba and Zoe want to live together. The hours spent together and the questions that emerge at the end of this chapter in their lives will mark their time in the house with nostalgia and an impending farewell.

The passionate members of a girls' roller hockey team chase down victories in the rink while striving to make time for school, family and romance.

El Mort Viu portraits the Gifra family: the father, Joan, unmotivated and unemployed, a passionate follower of Saint Rabuci; Marc, the ever-angry older brother, a hard-working yet embittered man who has taken the reigns of the family; and the problematic younger son Llàtzer, a NEET parasite that feeds on the decline of his family and the birth of a monster settling in a very peculiar town, between dramedy and fantasy, through the filter of Spanish tradition of very dark humor.