Content from Voyelles Films

Toronto, Canada, 1899. William Lyon Mackenzie King (1874-1950) fervently believes that he is destined to become Prime Minister, but to do so he will first have to fight his personal obsessions and overcome the many obstacles he will encounter on his tortuous path to power.

During a brutal Quebec winter, a teenage girl mourns her best friend killed in a car accident.

As they make their way to Schefferville, an isolated village in Northern Quebec, to settle the sale of a cottage, Sophie and Mathieu unwittingly find themselves facing a grave and unexpected situation that tests their relationship.

December 31st, at dusk. Florence, 37 weeks pregnant, is preparing for new year’s eve party. Her friends arrive, they talk loudly, they get dressed and dance together before going out. Florence finally changes her mind and decides to stay home. As she lays down, at the sound of the windy night, she thinks about the arrival of a new year, and about her new life that is about to begin.

Leonardo, a ballet dancer, and Sara, an ambitious lawyer, are young black Cubans desperate to leave their country. They realize that their ticket off the island is for Leonardo to seduce one of the foreign students at the salsa school where he teaches. Dreams collide when they meet a lonely Iranian-Canadian woman who is seeking adventure and passion in paradise.

Somewhere in northern Quebec, a small Aboriginal community is shaken by the suspicious death of three teenagers. The police investigation, which looks delicate, is entrusted to the agent Hudon of the Sûreté du Québec, posted recently on the reserve. He quickly finds himself disoriented in the face of these inexplicable deaths, a culture with which he struggles to cope ... and a Montreal journalist looking for a scoop.

Delphine is an ode to childhood, but also an examination of the wounds it can cause.

A poetic crossover in a ruined world where each one survives alone in the collective disarray. The bodies in movement, dance and physical prowess replace the word and embody and reveal bruised characters, haunted by a past that is sweeter than this crumbling world.

Réal Gendron is an unremarkable old man. He believes in God. He believes in friendship. And he believes in life. So when he receives an e-mail from a total stranger in Africa informing him that he’s the sole legatee of an immense fortune, he believes that too.

Bruno, in his thirties and in desperate need of a purpose, ends up homeless after a breakup. Without despairing and under the watchful eye of his motherly big sister, this sawmill worker will find the drive to put his beloved blue suit back on and to rekindle an old flame.

Anne can’t face her face. Stuck in the "friendzone", Alexis drools over her. Between lust and saliva, it’s complicated.

Set on carrying out her task with dedication, a woman is obsessed with watching over anonymous interiors and occupying them. Both a custodian of the premises and a ghostly presence, she becomes an echo of how we relate to time, solitude and the melancholy of forsaken spaces.

Adapted from Jean-Christophe Réhel's novel, Ce qu'on respire sur Tatouine follows Christophe, a young poet with cystic fibrosis, whose humor, intelligence, and candor lead him down a strange path strewn with obstacles and laughter, resounding failures and moving encounters; a host of colorful characters accompany him on his inner odyssey. From Repentigny to Tatooine, by way of the CHUM (Centre hospitalier de l'Université de Montréal), the Super C (a supermarket), and New York, Christophe rarely makes the right choices, doesn't really take care of himself, but struggles as best he can to find his way between money and inspiration, between illness and pleasure, between love and death.