Content from Watermelon Pictures

January 29, 2024. Red Crescent volunteers receive an emergency call. A 6-year old girl is trapped in a car under fire in Gaza, pleading for rescue. While trying to keep her on the line, they do everything they can to get an ambulance to her. Her name was Hind Rajab.

A couple struggle to learn the truth about the origins of their unborn child-- a demonic entity that emerges from the body.

A secret museum in an art hotel sparks intrigue when it's revealed to be a creation of controversial artist, Banksy. Using art as a form of political resistance, the hotel highlights the reality of life under Israeli military occupation. The film journeys through the hotel, Palestine, and a relevant past to dismantle the mainstream media's bias towards the Palestinian struggle for freedom and equality.

Students flooded Columbia University’s lawn to create the Gaza Solidarity Encampment in order to pressure their university to divest from the US and Israeli weapons companies. The film follows the central organizers of the encampment as they are thrust into the spotlight, face violent police repression and suspension, congressional pressure, and a media firestorm, all while fighting to attain their goal of divestment at any cost.

"From Ground Zero" is a compelling project that brings together 22 short films created by talented filmmakers from Gaza. Launched by Rashid Masharawi, a notable Palestinian filmmaker, the initiative emerged amid the backdrop of conflict, aiming to provide a platform for young artists to express themselves through their craft. Each film, ranging from 3 to 7 minutes, presents a unique perspective on the current reality in Gaza. The project captures the diverse experiences of life in the Palestinian enclave, including the challenges, tragedies, and moments of resilience faced by its people. With a mix of genres such as fiction, documentary, docu-fiction, animation, and experimental cinema, "From Ground Zero" showcases a rich tapestry of stories that reflect the sorrow, joy, and hope inherent in Gazan life.

Delving into the past and not shying away from the dug-up pain, a young filmmaker speaks to her Mexican mother and Palestinian father about their trying journeys into the United States. In a society with rhetoric increasingly vilifying Mexicans and Palestinians, the filmmaker picks up her camera in a bid to address the grief at the center of the generational trauma that has underscored her relationship with her family. A meditation of loss and grief relieved, ultimately, through reconciliation.

A journalist follows a trickle of information upstream, leading to revelations about California's water and the couple accused of hoarding it to build their own agricultural empire.

A young Palestinian man living in Jerusalem must save his family after a Ghouleh, a female demon from his grandmother’s folktales, arrive in his town and threatens his home.