Becky Sharp

YOU WILL SEE HER TRANSFORMED BY THE WONDEROUS NEW TECHNICOLOR

5.7
19351h 24m

In early 19th century England, ambitious and ruthless orphan Rebecca Sharp advances from the position of governess to the heights of British society. The first feature length film to use three-strip Technicolor.

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Trailers & Videos

Thumbnail for video: BECKY SHARP (1935) Trailer

BECKY SHARP (1935) Trailer

Cast

Photo of Miriam Hopkins

Miriam Hopkins

Becky Sharp

Photo of Frances Dee

Frances Dee

Amelia Sedley

Photo of Cedric Hardwicke

Cedric Hardwicke

Marquis of Steyne

Photo of Billie Burke

Billie Burke

Lady Bareacres

Photo of Alison Skipworth

Alison Skipworth

Miss Crawley

Photo of Nigel Bruce

Nigel Bruce

Joseph Sedley

Photo of Alan Mowbray

Alan Mowbray

Rawdon Crawley

Photo of G.P. Huntley

G.P. Huntley

George Osborne

Photo of William Stack

William Stack

Pitt Crawley

Photo of George Hassell

George Hassell

Sir Pitt Crawley

Photo of William Faversham

William Faversham

Duke of Wellington

Photo of Charles Richman

Charles Richman

Gen. Tufto

Photo of Doris Lloyd

Doris Lloyd

Duchess of Richmond

Photo of Colin Tapley

Colin Tapley

William Dobbin

Photo of Bunny Beatty

Bunny Beatty

Lady Blanche

Photo of Finis Barton

Finis Barton

Miss Flowery

Photo of Olaf Hytten

Olaf Hytten

The Prince Regent

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Reviews

G

CinemaSerf

6/10

Whilst Napoleon is conquering Europe, "Becky" (Miriam Hopkins) is doing a bit of that for herself. Determined to improve on her lot as the daughter of a family of travelling performers, she uses each gullible man she meets as a stepping stone to the next. She doesn't care about any of the collateral baggage she leaves behind - including her soldier husband "Crawley" (Alan Mowbray) but maybe she finally meets her match in the wealthy "Marquis of Steyn" (Sir Cedric Hardwicke) who has seen her game playing before, and - well he's just a lot better at it than she. It's also, just as she sees the epitome of her aspirations within her grasp, that maybe, just maybe, she realises that she does have some room for affection in her life - but is it all too late for that? The film is usually only noted for it's feats of colour photography but I think that's a little unfair on both Hopkins and Sir Cedric. The former plays the ambitious and venal creature quite compellingly - indeed, she creates quite a thoroughly detestable character whilst the latter plays the shrewd and dastardly peer with some skill that also gets under your fingernails, too. The plot itself is well trammelled and the story isn't new either, but a solid ensemble of the likes of Nigel Bruce, Frances Dee and Billy Burke keep it moving noisily along for eighty minutes.

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