Blackmailed

Unless they pay, the world will know their secrets!

2.7
19511h 25m

A blackmailer is murdered, and those who witnessed the scene agree to keep quiet; the complication is that the scene is also witnessed by a young artist, a victim of blackmail as well. (BFI Website)

Cast

Photo of Mai Zetterling

Mai Zetterling

Mrs. Carol Edwards

Photo of Fay Compton

Fay Compton

Mrs. Christopher

Photo of Dirk Bogarde

Dirk Bogarde

Stephen Mundy

Photo of Robert Flemyng

Robert Flemyng

Dr. Giles Freeman

Photo of Michael Gough

Michael Gough

Maurice Edwards

Photo of Wilfrid Hyde-White

Wilfrid Hyde-White

Lord Dearsley

Photo of Cyril Chamberlain

Cyril Chamberlain

Police Constable

Photo of Harold Huth

Harold Huth

Hugh Sainsbury

Photo of Nora Gordon

Nora Gordon

Sine's Housekeeper

Photo of Arthur Hambling

Arthur Hambling

Inspector Canin

Photo of Bruce Seton

Bruce Seton

Supt. Crowe

Photo of Johnnie Schofield

Johnnie Schofield

Maurice's Taxi Driver

Photo of Betty Cooper

Betty Cooper

Giles' Assistant

Photo of Constance Smith

Constance Smith

Nurse Anne

Photo of Edie Martin

Edie Martin

Mrs. Porritt - a Patient

Photo of John Horsley

John Horsley

Maggie's Doctor

More Like This

Reviews

G

CinemaSerf

6/10

This is quite a cleverly conceived drama that does ask us whether, ever, two wrongs might actually make a right. It’s after “Mary” (Shirley Wright) is involved in a road accident that hospital almoner “Mrs. Christopher” (Fay Compton) is called in to comfort the injured woman and finds herself charged with delivering an envelope. Inadvertently, she walks in on the nasty “Sine” (James Robertson Justice) in the middle of blackmailing a young woman. A scuffle ensues and next thing, she, “Carol” (Mai Zetterling) and “Dr. Freeman” (Robert Flemying) have quite an headache. That only gets worse when “Munday” (Dirk Bogarde) walks in on this lurid scene then promptly scarpers. With a police investigation imminent, the folks try to go about their day-to-day business only to find a series of seemingly unrelated incidents gradually and somewhat nervously brings them all together and facing a tough decision. It’s quite a good idea, this, but the execution is all rather bitty. At times it comes across as an amalgam of other Bogarde films only here serendipity plays maybe just too much of a role as we build to a vaguely comedic, convenient, denouement. There’s a bit more of a substantial role here for Michael Gough as the bed-ridden husband “Maurice” which he delivers quite well, but there’s little chemistry between Zetterling and Flemying and Compton seemed content to settle for offering us a gentle, softly lit, impersonation of Dame May Whitty. It was lost for a long time, apparently, which is quite curious given it’s cast but not so much given it’s substance.

You've reached the end.