Christmas Evil

You Better Watch Out!

5.4
19801h 34m

Garbed in his red suit, Harry, a toy factory worker, decides that the only thing he can do to save the spirit of Christmas is to become Santa Claus himself and make all of the naughty townspeople pay... in blood!

Production

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Trailers & Videos

Thumbnail for video: 1980 Theatrical Trailer

1980 Theatrical Trailer

Cast

Photo of Brandon Maggart

Brandon Maggart

Harry Stadling

Photo of Jeffrey DeMunn

Jeffrey DeMunn

Philip Stadling

Photo of Dianne Hull

Dianne Hull

Jackie Stadling

Photo of Ellen McElduff

Ellen McElduff

Harry's Mother

Photo of Scott McKay

Scott McKay

Mr. Fletcher

Photo of Peter Friedman

Peter Friedman

Mr. Grosch

Photo of John Brockman

John Brockman

Dr. Probst

Photo of Philip Casnoff

Philip Casnoff

Ricardo Bauma

Photo of Danny Federici

Danny Federici

Accordian Player

Photo of Raymond J. Barry

Raymond J. Barry

Detective Gleason

Photo of Robert Lesser

Robert Lesser

Detective Gottleib

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Reviews

G

CinemaSerf

5/10

So I started the evening at Sadler's Wells watching Sir Matthew Bourne's adaptation of "Edward Scissorhands" and my friend decided to reciprocate my hospitality by taking me to a (very) late night screening of this - which is apparently John Waters' pick of Christmas films. Well, talk about sublime to ridiculous. It's all about the psychologically scarred "Harry" who has never been able to get grips with there not actually being a "Santa". Sorry, if I've just let the cat out of the sack for you. Anyway, as an adult he (Brandon Maggart) has become a toy maker of some skill and distinction but the thing is, the sprogs for whom he makes these toys are becoming less and less appreciative. The tension mounts, he snaps - and soon nobody is safe from his vengeful - sometimes pretty suitable - wrath. Now, yes - I thought it was dreadful, but it does have a rather sound message to it. The throwaway culture is in it's sights, but so is the sense that Christmas can be a lonely time for people; that many take all the celebrations for granted and that, frankly, it's got very little nowadays to do with frankincense and myrrh (gold, well...). It's one of those films that knowing a lot about it and Maggart beforehand might improve it's standing, but I went in cold and I came out bemused, just a bit bored and wondering if it wasn't just as guilty of capitalising on Christmas cynicism as much of it's plot?

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