Copacabana

So LAVISH! So LILTING! So LADEN with LAUGHTER!

5.3
19471h 32m

A talent agent sells his girlfriend to a nightclub – as two separate acts. The deception and constant costume changes are too much for his girl, and the men who have fallen for the different performers.

Trailers & Videos

Thumbnail for video: 1947 Copacabana - Movie Trailer

1947 Copacabana - Movie Trailer

Cast

Photo of Groucho Marx

Groucho Marx

Lionel Q. Deveraux

Photo of Carmen Miranda

Carmen Miranda

Carmen Novarro / Mlle. Fifi

Photo of Steve Cochran

Steve Cochran

Steve Hunt

Photo of Andy Russell

Andy Russell

Andy Russell

Photo of Gloria Jean

Gloria Jean

Anne Stuart

Photo of Kay Marvis

Kay Marvis

Cigarette Girl

Photo of Chili Williams

Chili Williams

Sobel's Showgirl

Photo of Merle McHugh

Merle McHugh

Copa Girl

Photo of Abigail Adams

Abigail Adams

Copa Girl

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Reviews

G

CinemaSerf

6/10

The thing that frequently gets me about films like this, is that we would ever have got dressed up to the nines for a evening/early morning of entertainment that is all so very rigid and regimented... The dancing routines are so very heavily choreographed and the size of the places - with a band, dancers and a spotlit leading performer - must have been most off putting for diner and entertainer alike. This one has quite a quirky storyline: Graucho Marx ("Devereaux") has just one act - Carmen Miranda - on his books but venue owner Steve Cochrane ("Steve") is looking for more, so Marx hits upon a plan whereby his star does her Brazilian samba act for some of the time, then upscales as the more elegantly alluring "Madame. Fifi" during the downtime - a recipe for a fast paced juggling act that Barnum would have been proud of. There are some gently amusing sub-plots as their success attracts Holywood producers; Gloria Jean ("Anne") tries to have her way with the unsuspecting boss and crooner Andy Russell gets a few numbers in too. As you'd expect, there are plenty of quippy one-liners from Marx, many of which still raise a smile 70-odd years later, but otherwise time hasn't really been kind to the rest of it. Miranda never did strike any chords with me; and though doubtless an hugely charismatic woman, her act was limited and her thick accent quite difficult to comprehend - it really was all about the fruit bowl with her. Both have some fun trashing the dressing room towards the end which is quite jolly, but the set-piece dancing elements are unremarkable and the story is, well, daft... Nothing not to like, really, but nothing much to remember either.

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