Crime Without Passion

5.8
19341h 10m

Caddish lawyer Lee Gentry is going out with Katy Costello, but carrying on an affair with dancer Carmen Brown. When he wants to end the dalliance with Carmen, she is so distraught that she becomes suicidal. Seizing the gun from Carmen, he accidentally shoots her, and thinking she's dead, concocts a series of increasingly outlandish alibis to cover his tracks under the guidance of a ghostly apparition that is his alter ego.

Production

Logo for Paramount Pictures

Trailers & Videos

Thumbnail for video: Crime Without Passion (Hecht/MacArthur, 1934)

Crime Without Passion (Hecht/MacArthur, 1934)

Cast

Photo of Claude Rains

Claude Rains

Lee Gentry

Photo of Margo

Margo

Carmen Brown

Photo of Whitney Bourne

Whitney Bourne

Katy Costello

Photo of Stanley Ridges

Stanley Ridges

Eddie White

Photo of Fanny Brice

Fanny Brice

Woman in Hotel Lobby (uncredited)

Photo of Esther Dale

Esther Dale

Miss Keeley (uncredited)

Photo of Greta Granstedt

Greta Granstedt

Della (uncredited)

Photo of Helen Hayes

Helen Hayes

Woman in Hotel Lobby (uncredited)

Photo of Ben Hecht

Ben Hecht

Court Interviewer with Pipe (uncredited)

Photo of Marjorie Main

Marjorie Main

Backstage Wardrobe Woman (uncredited)

Photo of Marion Martin

Marion Martin

Theatre Cashier (uncredited)

Photo of Fuller Mellish

Fuller Mellish

Judge (uncredited)

Photo of Paula Trueman

Paula Trueman

Buster Malloy (uncredited)

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Reviews

G

CinemaSerf

6/10

Claude Rains is good in this as the smug, intelligent lawyer "Gentry" who prides himself on being able to get even the most odious of criminals acquitted. That ensures that just about every one in law enforcement loathes him - until, that is, serendipity strikes a blow as he gets very jealous about the antics of girlfriend "Carmen" (Margo) and is soon having to establish an alibi for himself - and things really take a turn for the bizarre. Indeed, that's probably the word for much of this production. The opening scenes are quirky, to say the least - though it does revert to a better trodden path as it progresses. The writing is basic, and it's delivery frequently quite staccato in style which doesn't help the pace much, but it is still enjoyable to see the star playing well.

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