Criminal Law
Ben Chase is an on-the-rise Boston attorney currently defending a wealthy client in a high-profile murder case. Martin Thiel is the wealthy young man on trial for a particularly brutal murder. The verdict sets Thiel free. Within 24 hours another grizzly and all-too-familiar murder has taken place with striking similarities to the first crime. Chase inexplicably agrees to act as his defense attorney; but this time it will be to gather evidence that will put away his client for good.
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Criminal Law (1988) Original Trailer [HD]
Cast

Gary Oldman
Ben Chase

Kevin Bacon
Martin Thiel

Tess Harper
Detective Stillwell

Karen Young
Ellen Faulkner

Joe Don Baker
Detective Mesel

Sean McCann
Jacob Fischer

Ron Lea
Gary Hull

Michael Sinelnikoff
Professor Clemens

Tyrone Benskin
Jackson

Johnny Cuthbert
Hal Keeler

Andrew Johnston
Cop Tony

James Rae
Reporter

David Gow
Reporter

Susan Glover
Reporter

Richard Jutras
Reporter

Aidan Devine
Reporter

Robert Parson
Reporter

Lois Dellar
Reporter

Elizabeth Shepherd
Dr. Thiel
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Reviews
John Chard
Boston based neo-noir fails to ignite.
Criminal Law is directed by Martin Campbell and written by Mark Kasdan. It stars Gary Oldman, Kevin Bacon, Tess Harper, Karen Young and Joe Don Baker. Music is by Jerry Goldsmith and cinematography by Philip Meheux.
Boston attorney Ben Chase (Oldman) successfully defends Martin Thiel (Bacon) who is on trial for a sexually aggravated murder. But not long after Chase comes to realise Thiel's guilt and sets about correcting the wrong he helped orchestrate.
If you have never seen a legal thriller before, or a serial killer based neo-noir for that matter, then Criminal Law might just poke its head above average waters. Unfortunately the well is quite full of such filmic exercises, and much better they are too!
It's all so formulaic, where the potent promise of character disintegration into a hellish noir infused world is never fully realised. Instead we get characters whose actions are at times baffling, others who are under used or pointless scene fillers, and a screenplay cracking under the strain of a near two hour run time. Add in some poor accents for the setting, one of Goldsmith's worst scores and a damp squib finale, well you are struggling continually to get on board with it all. There's a high energy sex scene where the makers are clearly showing what their intentions were, in how stuck in a web of turmoil Chase is, but it just proves how muddled and rickety the narrative is.
Positives come in the form of the visual look of the piece, Meheux (GoldenEye/Casino Royale) showing some nice stylish touches, most notably a dark underground set of scenes where slatted shadows operate as the noir staple of a character psychologically imprisoned, but these moments are fleeting and the story begs for more. Elsewhere, the killer's motives are at least interesting, adding in a controversial moral poser, and Elizabeth Shepherd as Thiel's mother is superbly cold and detached (pic needed more of her). But ultimately it's a disappointing film and not recommended as a must see. 5/10
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