Cyborg 2087

Half Human… Half Machine! Programmed to Kill!

5.8
19661h 26m

In the future world of the year 2087, freedom of thought is illegal and the thoughts of the world's populations are controlled by the government. A small band of "free thinkers" send a cyborg back in time to the year 1966 to prevent a scientist from making the breakthrough that will eventually lead to the mass thought control of the future. Our time traveler soon discovers he is not alone when government agents from the future try to prevent him from carrying out his mission.

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Trailers & Videos

Thumbnail for video: Cyborg 2087 (Franklin Adreon, 1966) Trailer

Cyborg 2087 (Franklin Adreon, 1966) Trailer

Cast

Photo of Karen Steele

Karen Steele

Dr. Sharon Mason

Photo of Warren Stevens

Warren Stevens

Dr. Carl Zellar

Photo of Eduard Franz

Eduard Franz

Prof. Sigmund Marx

Photo of Adam Roarke

Adam Roarke

Deputy Dan

Photo of Chubby Johnson

Chubby Johnson

Uncle Pete

Photo of Troy Melton

Troy Melton

Tracer #2

Photo of Sherry Alberoni

Sherry Alberoni

Laura Zellar

Photo of John Beck

John Beck

Skinny

Photo of Shug Fisher

Shug Fisher

Short Station Attendant

Photo of Jo Ann Pflug

Jo Ann Pflug

Woman in Control Booth

Photo of Byron Morrow

Byron Morrow

Mr. Simmons

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Reviews

G

CinemaSerf

5/10

Once again, Michael Rennie dons a tin-foil suit to come and warn mankind to amend it's ways. This time, though, he is a cyborg called "Garth 7" sent back from the year 2087 to try and stop an evolutionary process that will rob us all of our ability to think for ourselves. He manages to ally with "Dr. Mason" (Karen Steele) but pretty soon they are aware that the government they wish to thwart has also sent agents back and so not just time, but other folks from the future are against them too. This is cheap and cheerful, pedestrianly written, afternoon fodder that is very light on science or characterisations. Rennie looks like he maybe only did the one filming day, such is the truncated nature of the editing - and the special effects (his bio-implants, especially) are not up to very much, either. Oddly enough, it might have looked better in black and white, somehow the colour just makes it look even more sloppily thrown together. Potentially, an interesting take on a well used idea, but sadly it offers little we haven't seen before and the star is well past his best.

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