Dandin

The Peasants

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

Object: Alimony

Ruth Butler, a clerk in an emporium, marries Jimmy Rutledge and thereby greatly displeases his mother, the owner of the emporium, because of Ruth's lowly origins. Renaud Graham, one of Mrs. Rutledge's friends, becomes interested in Ruth, forces his way into her apartment, and attempts to make violent love to her. Jimmy walks in on their embrace and, suspecting the worst, leaves Ruth. In the family way, Ruth finds refuge in a boardinghouse where she meets Al Bryant, an aspiring writer. Ruth tells Al her life story, and he makes it into a bestselling novel and then into a play. Jimmy sees the play and comes to his senses, winning Ruth's forgiveness.

Yevdokiya

On the outskirts of the provincial town, Yevdokim and Yevdokiya live, raising foster children. Yevdokim works at a factory, Yevdokiya is a housewife. The family seems to be safe and happy: the only trouble is that Yevdokiya cannot forget the love of her youth. This Yevdokim cannot stand and offers Yevdokiya freedom, while he will remain with the children. But all these contradictions are drowned in mutual love for children and for each other.

The Man with the Golden Gun

Cool government operative James Bond searches for a stolen invention that can turn the sun's heat into a destructive weapon. He soon crosses paths with the menacing Francisco Scaramanga, a hitman so skilled he has a seven-figure working fee. Bond then joins forces with the swimsuit-clad Mary Goodnight, and together they track Scaramanga to a Thai tropical isle hideout where the killer-for-hire lures the slick spy into a deadly maze for a final duel.

The Big Departure

This is the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, the movie has no plot to speak of and appears to have been largely made up on the spot. We follow the cat man into a bizarre fantasy universe presented in negative exposure that reverses color values (black is white and vice versa) and written words. The cat man steals a car and then picks up a young girl he promises to take to “Heaven.” Heaven turns out to be a country chateau inhabited by several more animal mask wearing weirdoes...

LEWISTON

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

RED

He was at the bay when his world split in half.

The Screen

A surrealist film detailing my interpretation of the harms of technology and the looming impact it will have on our minds.

Genesis: Turning It on Again

This unique 3-DVD collection is the definitive critical overview of the work of Genesis. Taking the viewer on a journey from the band's early days through to the more recent past, the programs feature fascinating archive interviews with Phil Collins, Steve Hackett, Tony Banks and Michael Rutherford; also on hand to provide expert analysis of the music is a team of leading rock journalists and music industry insiders. And then there’s the music – featured here are superb tracks from the ground breaking Gabriel era and the bands later years as a commercial super group, including I Know What I like (In Your Wardrobe), Supper’s Ready, The Musical Box, In The Cage, The Knife, Turn It On Again and many more.

Mother's Field

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

The Waves Call You

A Puerto Rican seamstress ponders leaving her island to go live with her daughter in the United States.

Tu Quoque

Maximus's life has officially come to a standstill, on the brink of a precipice. However, he is magically transported to ancient Rome. There, using his connections, Maximus saves Julius Caesar's life, foiling the assassination attempt that would have killed him and becoming his most trusted advisor.

Goin' Down the Road

Two friends travel from Nova Scotia to Toronto in hope of finding a better life.

Mutiny! The Last Birthday Party

When director Heiner Mühlenbrock showed up with his cameras to document the tense April 1983 recording sessions for the final Birthday Party EP, Mutiny!, the group was well beyond the verge of dissolution and barely on speaking terms. Mutiny! was cut at Hansa Ton studios in Berlin.

The Last Runway 2, Commando Yaguareté

Betty Jara reassembles the Yaguareté Commandos to exchange an imprisoned criminal for one of her own agents. A risky operation becomes even more so when she realizes they are not just fighting a drug ring but the highest spheres of power.

Pain

Dad catches a ball badly, injuring his finger. His guttural scream instantly hushes the entire sports complex. Sarah is paralysed. She barely recognises him; red faced, clutching his hand and crying. In the sanctuary of the locker changing rooms, Sarah explores and tests theories about what has happened with her Dad. She questions who her father is while struggling to grasp the concept of pain, both inside and out. Having found an apparent conclusion, Sarah returns to an apologetic Dad, and decides to put his promises to the test.music:Annette Focksproducer:Tobias Rosen, Heike Wiehle-Timmproduction:Relevant Film, Warner Bros Entertainment Germanybacking:Deutscher Filmförderfonds (DFFF) (DE), Schleswig-Holstein Film Commission (DE), Filmförderungsanstalt (FFA)(DE)distributor:Warner Bros Entertainment Germany

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