Forty Guns
The Taming of the Arizona Territory!
An authoritarian rancher rules an Arizona county with her private posse of hired guns. When a new Marshall arrives to set things straight, the cattle queen finds herself falling for the avowedly non-violent lawman. Both have itchy-fingered brothers, a female gunman enters the picture, and things go desperately wrong.
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Forty Guns ≣ 1957 ≣ Trailer

Forty Guns 1957 Trailer | Barbara Stanwyck

Allison Anders on FORTY GUNS
Cast

Barbara Stanwyck
Jessica Drummond

Barry Sullivan
Griff Bonell

Dean Jagger
Sheriff Ned Logan

John Ericson
Brockie Drummond

Gene Barry
Wes Bonell

Robert Dix
Chico Bonell

Jidge Carroll
Barney Cashman

Paul Dubov
Judge Macy

Gerald Milton
Shotgun Spanger

Ziva Rodann
Rio

Hank Worden
Marshal John Chisum

Neyle Morrow
Wiley

Chuck Roberson
Howard Swain

Chuck Hayward
Charlie Savage

Eve Brent
Louvenia Spanger

Tex Driscoll
Barber (uncredited)

Carol Henry
Gunman (uncredited)

Eddie Parks
Sexton (uncredited)

Jack Perrin
Townsman at Wedding (uncredited)

George Sowards
Townsman (uncredited)
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Reviews
John Chard
I was born upset.
Forty Guns is written and directed by Sam Fuller. It stars Barbara Stanwyck, Barry Sullivan, Dean Jagger, John Ericson, Gene Barry, Robert Dix, Eve Brent and Ziva Rodann. Music is by Harry Sukman and cinematography by Joseph F. Biroc.
It's all going to kick off in Arizona between the Bonnell brothers, U.S.Marshals, and Jessica Drummond - the tough no nonsense lady rancher who controls the territory.
So what do we have here then? Just another recycled Western plot that is basically the Earp's/Clanton's feud that culminated in the Gunfight At The O.K. Corral? Well no, not really, for this is Sam Fuller on devilishly twisty form.
Fuller gives this particular Western a film noir make over, both in look and dialogue innuendo. Pic is filled with outstanding sequences, be it shocking deaths, bravado pumped show downs or chiaroscuro framing of key characters, no frame is wasted in this piece - visually or aurally.
From a psychological stand point it's a right hornets nest, a meaty broth of cynical observations on love, power and that bastion of American cinema - the Western. The action construction on offer is electrifying, if Fuller isn't dallying with various camera techniques to keep the story on the hop, he's being kinetic with is action filming. All of which is in the Scope format, with the ace Biroc weaving some monochrome magic.
Probably now it has risen above being just a cult Western classic, Fuller's standing in the decades that would follow this release have ensured that to be the case. Yet it is noted that this holds no surprises in how story eventually pans out, which is disappointing given the noir pulse beats driving it forward. In fact a charge of schmaltz at pics end is justified and stops this being the masterpiece many of us yearn it to be.
Still, tis a superb genre piece of some considerable substance. A film that begs to be revisited on more than one occasion. Thank You Samuel. 8/10
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