Fucky New Year

Killer 2

Jurek Kiler has become a VIP - sponsoring the Polish government, playing tennis with the President, meeting world leaders. He must oversee a transfer of a substantial amount of gold. However, in his past activities, he has made enemies. Mighty ones. And thus Jurek Kiler's next adventure begins as he has to face attempts at kidnapping, assassinations and problems in his love life...

The Hourglass Sanatorium

Jozef visits a dilapidated Sanatorium to see his father. Jozef undertakes a strange journey through the many rooms of the sanatorium, each which conjures worlds composed of his memories, dreams and nightmares.

Florence Fight Club

Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.

The Peasants

A historical revolutionary film depicting the struggle of peasants and the Baku proletariat against landowners and Musavatists in 1919.

The 1st 13th Annual Fancy Anvil Awards Show Program Special: Live in Stereo

Cartoon Network holds an awards show awarding cartoon excellence.

Projota - AMADMOL (A Milenar Arte de Meter o Louco)

Robin Williams: Live on Broadway

2002 HBO Stand-up Special starring Robin Williams. Recorded and broadcast live from New Your City's Broadway Theater at the culmination of his historic 2002 sold-out tour, this special finds the Oscar-winning actor/writer/comedian returning after 16 years to his stand-up roots to deliver what the Washington Post calls "...in its madcap way, a seminal cultural event."

La Notte

A day in the life of an unfaithful married couple and their steadily deteriorating relationship in Milan.

Taxi 3

A gang of thieves calling themselves the Santa Claus Gang are wreaking havoc, and the police can't keep up. Police Captain Gilbert is distracted by a Chinese reporter writing a story on his squad, and taxi driver Daniel is in the midst of a relationship crisis. After a string of mistakes in which the thieves outsmart the police time and time again, Daniel and his super-taxi pitch in.

LEWISTON

The movie arose out of our sparetime as teenagers with fresh driver’s licenses and cobbled-together camera gear, wandering around a tired and honestly pretty grim post-industrial mill community, reinforced with after-hours access to the darkroom at the Sun Journal (where Aaron’s dad was the visuals editor), and some half-formed education in the techniques of Robert Frank, Frederick Wiseman, Dogme 95, Italian neorealism, pre-Obama Shepard Fairey, plus whatever culture pushed its way through the creaky pipes of low-bandwidth dial-up internet, or was smuggled up the actual superhighway of I-95 from Boston and eventually New York, or mailed first class via United States Postal Service from a burgeoning Netflix in those classic matte red envelopes, as valuable and rare as cash sent from China. [...] Somehow we negotiated access to a Canon XL1 3-CCD MiniDV camera and shotgun mic from the local public access station, in exchange for taping the high school graduation we didn’t participate in.

Human Resources

"Good son" Franck returns to his hometown to do a trainee managerial internship in the Human Resources department of the factory where his anxious, taciturn father has worked for 23 years.

Mother's Field

In a remote Kyrgyz village, a mother navigates daily life as her family is drawn into the upheaval of World War II. Left behind to tend the land and hold her household together, she clings to hope amid growing uncertainty. As seasons pass, the quiet weight of absence and memory shapes her world. A deeply personal story of endurance, Mother’s Field captures the emotional cost of war from the perspective of those who wait.

Bruce Lee Against Supermen

"The Green Hornet" (a red spandex and cape wearing duo) is called in to assist in rescuing a kidnapped scientist.

The King: Stephen King's America

Ghost nation? Violent home? Traumatised country? What does the horror of one of the most famous writers of our time hide? What does his fictional America expose? To what extent does cinema feed itself off his unique vision and expression of fear? In other words: what kind of America is Stephen King telling us about?

Dune

Sounds as witnesses. They blurr into memories, half-dreams, it is undecided if they are real or not. A fluctuation between imagination and reality.

L'été des 20 bougies

Blood from the Mummy's Tomb

Two Egyptologists, Professor Fuchs and Corbeck, are instrumental in unleashing unmitigated horror by bringing back to England the mummified body of Tara, the Egyptian Queen of Darkness. Fuchs’s daughter becomes involved in a series of macabre and terrifying incidents, powerless against the forces of darkness, directed by Corbeck, that are taking possession of her body and soul to fulfill the ancient prophesy that Queen Tara will be resurrected to continue her reign of unspeakable evil.

Blue Murder at St. Trinian's

With their headmistress under lock and key in her majesty's prison, the St Trinian's girls find themselves under the protection of the army. However, when the sixth form take a fancy to winning a trip to Italy through means fair or foul, the army discover this is one battle they can't win. Let loose in Europe, it is not long before St Trinian's have succeeded in endangering European relations.