Holiday

An astonishing drama of double life and double love!

6.2
19301h 31m

A young man is torn between his free-thinking lifestyle and the tradition of his wealthy fiancée's family.

Cast

Photo of Ann Harding

Ann Harding

Linda Seton

Photo of Mary Astor

Mary Astor

Julia Seton

Photo of Robert Ames

Robert Ames

Johnny Case

Photo of Hedda Hopper

Hedda Hopper

Susan Potter

Photo of Hallam Cooley

Hallam Cooley

Seton Cram

Photo of William Holden

William Holden

Edward Seton

Photo of Creighton Hale

Creighton Hale

Pete Hedges

Photo of Mabel Forrest

Mabel Forrest

Mary Jessup

Photo of Monroe Owsley

Monroe Owsley

Ned Seton

Photo of Mary Forbes

Mary Forbes

Mrs. Pritchard Ames (uncredited)

Photo of Al Hill

Al Hill

Taxi Driver (uncredited)

Photo of Phillips Smalley

Phillips Smalley

Party Guest (uncredited)

Photo of Ellinor Vanderveer

Ellinor Vanderveer

Party Guest (uncredited)

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Reviews

G

CinemaSerf

6/10

A pretty wooden Ann Harding tops the bill here in this rather stagily delivered rom-com. She ("Linda") is the independently-minded daughter of a wealthy family whose sister "Julia" (Mary Astor) has a whirlwind romance and wants to get married. Thing is, her intended "Johnny" (Robert Ames) doesn't quite measure up to expectations of blue-blooded father Edward" (William Holden) but "Linda" takes quite a shine to his free-spirited attitude, especially when he declares that he wants little of her family's wealth, but to retire early and enjoy the simple things in life. "Julia" isn't so impressed with the prospect of having an "idler" for an husband and so a denouement with all concerned looks set to recalibrate the relationships and reveal the truth about these characters. It's watchable enough, this, but the presentation is very stilted. The actors seem to be too pre-occupied seeking their cue spots to deliver their very set-piece lines for much of this sitting-room drama naturally, and that is especially obvious with the little thinly-stretched humour Philip Barry's original play provided. It does take a gentle swipe at new versus old money and at double standards, and would probably work quite well in a theatre, but on screen it's all a bit static.

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