Hostile Guns
A wagonload of condemned criminals on his hands...a gang of desperadoes on his trail!
US Marshal Gid McCool leads a wagon train of convicted felons to Huntsville prison. The only female among the crooks is the dancehall girl Laura Mannon, McCool's former flame. When McCool cannot be swayed from completing his lawful duty, Laura tries to endear herself to shotgun rider Mike Reno in hopes he will set her free.
Cast

George Montgomery
Gid McCool

Yvonne De Carlo
Laura Mannon

Tab Hunter
Mike Reno

Brian Donlevy
Marshal Willett

John Russell
Aaron Pleasant

Leo Gordon
Hank Pleasant

Robert Emhardt
R. C. Crawford

Pedro Gonzalez Gonzalez
Angel Dominguez

James Craig
Ned Cooper

Richard Arlen
Sheriff Travis

Emile Meyer
Uncle Joe Reno

Don 'Red' Barry
Ed Johnson

William Fawcett
Ole Jenson

Fuzzy Knight
Buck

Jerry Catron
Townsman
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Reviews
John Chard
More tepid than hostile.
Not a great deal to write home about here, Hostile Guns is every inch a late 1960s Oater clinging on to the fading embers of a genre that was at the time moving in another direction. It's directed by R.G. Springsteen and co-written by Steve Fisher, Sloan Nibley and James Edward Grant. It stars George Montgomery, Yvonne De Carlo, Tab Hunter, Brian Donlevy, John Russell and Leo Gordon. Music is by Jimmie Haskell and the Techniscope/Technicolor photography is by Lothrop Worth.
Plot has Montgomery as Sheriff Gid McCool, who is tasked with escorting a wagon of prisoners through the plains. Tricky since one of the prisoners has cohorts desperate to break him free, while another one is an old flame!
Tab Hunter is in the cast to bring down the average age of the cast, many of whom are going through the motions and are clearly in it to pick up a late in their career pay cheque. It's very much indicative of an A.C. Lyles production, the mixture of airy location shooting and crude rear projection work is most disconcerting. Brian Donlevy is front page billed but is in the film for two minutes, while the stunt doubles are ridiculously evident - which via the splicing are actually insulting. On the plus side there's a nice print available which showcases the good use of colour, and Gordon provides some good grumpy villainy, but it all trundles towards the inevitable climax, which all things considered isn't worth the wait. 5/10
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