I Died a Thousand Times

The Story Behind The Terrifying 60-Day Hunt For Desperado 'Mad-Dog' Earle!

6.1
19551h 49m

After aging criminal Roy Earle is released from prison he decides to pull one last heist before retiring — by robbing a resort hotel.

Production

Logo for Warner Bros. Pictures

Trailers & Videos

Thumbnail for video: I Died a Thousand Times

I Died a Thousand Times

Cast

Photo of Jack Palance

Jack Palance

Roy Earle / Roy Collins

Photo of Shelley Winters

Shelley Winters

Marie Garson

Photo of Lee Marvin

Lee Marvin

Babe Kossuck

Photo of Perry Lopez

Perry Lopez

Louis Mendoza

Photo of Richard Davalos

Richard Davalos

Lon Preisser

Photo of Howard St. John

Howard St. John

Doc Banton

Photo of Olive Carey

Olive Carey

Ma Goodhue

Photo of Ralph Moody

Ralph Moody

Pa Goodhue

Photo of James Millican

James Millican

Jack Kranmer

Photo of Nick Adams

Nick Adams

Bellboy (uncredited)

Photo of Chris Alcaide

Chris Alcaide

Sheriff's Deputy (uncredited)

Photo of Fay Baker

Fay Baker

Woman in Tropico Lobby (uncredited)

Photo of Larry J. Blake

Larry J. Blake

Healy (uncredited)

Photo of Paul Brinegar

Paul Brinegar

Bus Driver (uncredited)

Photo of Mae Clarke

Mae Clarke

Mabel Baughman (uncredited)

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Reviews

J

John Chard

7.5/10

Famed Bandit, Former No 1 On FBI List, Pardoned After Eight Years.

I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph.

It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film.

Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb.

While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10

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