Journal of a Crime

Hell Hath No Fury Like a Wife Starved for Love!

5.7
19341h 5m

A woman murders her husband's mistress and someone else gets accused of the crime.

Production

Logo for First National Pictures

Cast

Photo of Ruth Chatterton

Ruth Chatterton

Francoise Mollet

Photo of Adolphe Menjou

Adolphe Menjou

Paul Mollet

Photo of Claire Dodd

Claire Dodd

Odette Florey

Photo of Douglass Dumbrille

Douglass Dumbrille

Cartier (as Douglas Dumbrille)

Photo of Noel Madison

Noel Madison

Costelli

Photo of Phillip Reed

Phillip Reed

Young Man at Party

Photo of Henry Kolker

Henry Kolker

Henri Marcher

Photo of Frank Reicher

Frank Reicher

Herr Winterstein

Photo of Frank Darien

Frank Darien

Stage Manager

Photo of Clay Clement

Clay Clement

Inspector

Photo of Elsa Janssen

Elsa Janssen

Frau Winterstein

Photo of Bess Flowers

Bess Flowers

Party Guest (uncredited)

Photo of Sidney D'Albrook

Sidney D'Albrook

Truck Driver (uncredited)

Photo of Jane Darwell

Jane Darwell

Dinner Guest (uncredited)

Photo of Jean De Briac

Jean De Briac

Butler (uncredited)

Photo of Lester Dorr

Lester Dorr

Cartier's Secretary (uncredited)

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Reviews

G

CinemaSerf

6/10

"Moliet" (Adolphe Menjou) is under pressure from his mistress "Odette" (Claire Dodd) to end his marriage and come live with her. He is reluctant, but his hand is forced when his wife (Ruth Chatterton) overhears a bit of conversation that causes her to preempt things by shooting her rival - conveniently, as it happens, as hoodlum "Costelli" is nearby, apprehended and convicted of the crime. Thing is, "Moliet" knows who really killed his lover and she knows he knows, so their home life becomes something quite attritional with "Francoise" determined to keep her man at all costs and he equally determined, though rather benignly, that she will come to terms with the ramifications of her actions and, he hopes, do the right thing. Will she, though? The film here isn't really anything more than a standard revenge drama, but Chatterton's role offers her a chance to play the increasingly troubled character with some deft. Her gradual realisation of the impact of her actions - on her, her husband and even on the man who will take the rap, gradually makes her ill and lifeless and she performs this latter part of the role so as to encourage us to feel almost sympathetic for her. Menjou does fine as a conduit for his co-star to shine here and though the denouement is a bit of a let down, it's still worth a watch to remember that Ruth Chatterton's move into sound pictures was a great deal smoother than many.

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