London Belongs to Me

7.0
19481h 47m

Classic British drama about the residents of a large terrace house in London between Christmas 1938 and September 1939. Percy Boon lives with his mother in a shared rented house with an assortment of characters in central London. Although well intentioned, he becomes mixed up with gangsters and murder. The story focuses on the effects this has on Percy and the other residents.

Cast

Photo of Alastair Sim

Alastair Sim

Mr. Squales

Photo of Fay Compton

Fay Compton

Mrs. Josser

Photo of Wylie Watson

Wylie Watson

Mr. Josser

Photo of Susan Shaw

Susan Shaw

Doris Josser

Photo of Hugh Griffith

Hugh Griffith

Headlam Fynne

Photo of Joyce Carey

Joyce Carey

Mrs Vizzard

Photo of Maurice Denham

Maurice Denham

Jack Rufus

Photo of Aubrey Dexter

Aubrey Dexter

Mr Battlebury

Photo of Henry Hewitt

Henry Hewitt

Verriter

Photo of Arthur Howard

Arthur Howard

Mr Chinkwell

Photo of Fabia Drake

Fabia Drake

Mrs Jan Byl

Photo of Sydney Tafler

Sydney Tafler

Night Club Receptionist

Photo of Henry Edwards

Henry Edwards

Police Superintendant

Photo of Cyril Chamberlain

Cyril Chamberlain

Det Sgt Wilson

Photo of John Salew

John Salew

Mr Banks

Photo of Russell Waters

Russell Waters

Clerk of the Court

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Reviews

G

CinemaSerf

7/10

Richard Attenborough leads a somewhat disjointed cast in this rather lengthy drama. He is "Percy", a rather impressionable young man who lives with his beloved mother (Gladys Henson) in a boarding house amidst a host of interesting lodgers. Sadly for him, he is soon mixed up with the wrong sort - some small time hoodlums - and becomes a murder suspect. I suppose the house to be a metaphor for the broader United Kingdom following the end of WWII - a collection of the aspirational, the optimistic, and the resigned - but there are too many characters for us to keep tabs on, and though the efforts from Alastair Sim as the Dickensianly titled "Mr. Squales"; Stephen Murray, the lovely Fay Compton ("Mrs. Josser") and a superb series of scenes, rather late in the day, from Hugh Griffith all stand up fine on their own, the film as a combination piece is pretty much all over the place. Attenborough tries hard, and at times he does fire on all cylinders, but he isn't quite good enough to pull all the strands together, nor is the Sidney Gilliat direction/screenplay, so it can come across as just a little too much of an episodic compendium of loosely connected stories rather than a cohesive feature. Still, it does provide us with quite an interesting observation of post war London and of a way of communal life now (mercifully) long gone for most of us.

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