Magellan
In the 16th century, young and ambitious Portuguese navigator Fernão de Magalhães rebels against the power of King Manuel I, who doesn't support his dream of discovering the world. He persuades the Spanish Crown to fund his bold expedition to the fabled lands of the East. The voyage is exhausting beyond expectations, with hunger and mutiny pushing the crew to their limits. Upon reaching the islands of the Malayan Archipelago, Magalhães' mind changes. He becomes obsessed with conquest and conversion, which sparks violent uprisings beyond his control.
Trailers & Videos
![Thumbnail for video: Official US Trailer [Subtitled] Thumbnail for video: Official US Trailer [Subtitled]](https://img.youtube.com/vi/8h7rriQD1qc/hqdefault.jpg)
Official US Trailer [Subtitled]

Lav Diaz on Magellan

MAGELLAN: A Conversation with Lav Diaz and Gael García Bernal

Lav Diaz and Gael García Bernal on Magellan

Clip
Cast

Gael García Bernal
Fernão de Magalhães

Ângela Ramos
María Caldera Beatriz Barbosa

Ronnie Lazaro
Rajah Humabon

Amado Arjay Babon
Enrique de Malaca

Dario Yazbek Bernal
Duarte Barbosa

Hazel Orencio
Juana

Brontis Jodorowsky
Bishop Fonseca

Baptiste Pinteaux
Father Dela Reina

Bong Cabrera
Rajah Kulambo

Valdemar Santos
Rui Faleiro

Ivo Arroja
Cristóvão

Paulo Calatré
Francisco Miranda

Rafael Morais
Joao Carvalho

Tomás Alves
Francisco Serrão

Max Grosse Majench
Juan de Cartagena

Yvanne Evangelista
Nafea

Almeno Gonçalves
Diogo Barbosa

Cláudio Henriques
Tramp

Daniel Viana
King Manuel I
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Reviews
Call Me Dunham
The real definition of every frame being a painting, it’s truly that beautiful.
Magellan is one of the best historical biopic films I’ve ever seen. Shot entirely with static frames, minimal scoring, calm and quiet vibes, and cinematography that’s beautifully serene and soothing to look at. Lav Diaz also boldly portrays the dark side of colonialism and the deceit of European explorers in the past even though, as far as I know (CMIIW), the film is supported by institutions from Portugal and Spain and he conveys all of that with extraordinary beauty.
This film isn’t just about recounting the past, but serves as a reminder, showing us how European explorers once tortured, colonized, plundered, and pitted Southeast Asian nations against one another. With this film, we are given a silent witness to how cruelty and human greed can destroy norms and morality.
Louay Jabry
I have never assigned a rating of 1/10 to any film until this one. For all those that have been taken by the cinematography, you have been taken for a ride. The use of a 4:3 ratio, dark, smudgy static wide shot series of 2-4 minutes takes, minimal dialog and acting does not make a great film, especially when it is slow for no reason and lasts almost 3 hours. You couldn't even see the main protagonist's face for the first 70 minutes. The net result is a ludicrous film masquerading as art, a talentless, lazy imitation of Werner Herzog's Aguirre, the Wrath of God.
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