Meet Mr. Lucifer

A Devil-May-Care Joker From Ealing Studios

5.1
19531h 23m

A TV set given as a retirement present is sold on to different households causing misery each time.

Production

Logo for Ealing Studios

Cast

Photo of Stanley Holloway

Stanley Holloway

Sam Hollingsworth / Mr Lucifer

Photo of Peggy Cummins

Peggy Cummins

Kitty Norton

Photo of Jack Watling

Jack Watling

Jim Norton

Photo of Kay Kendall

Kay Kendall

Lonely Hearts Singer

Photo of Ian Carmichael

Ian Carmichael

Man Friday

Photo of Joan Sims

Joan Sims

Fairy Queen

Photo of Dandy Nichols

Dandy Nichols

Mrs. Clarke

Photo of Ernest Thesiger

Ernest Thesiger

Mr. Macdonald

Photo of Jean Cadell

Jean Cadell

Mrs. Macdonald

Photo of Joseph Tomelty

Joseph Tomelty

Mr. Pedelty

Photo of Olive Sloane

Olive Sloane

Mrs. Stannard

Photo of Frank Pettingell

Frank Pettingell

Mr. Roberts

Photo of Irene Handl

Irene Handl

Lady with the Dog

Photo of Gladys Henson

Gladys Henson

Lady in the Bus

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Reviews

J

John Chard

4/10

The Devil's Goggle Box.

Meet Mr. Lucifer is directed by Anthony Pelissier and adapted to screenplay by Monja Danischewsky from Arnold Ridley's (later to play private Godfrey in the long running situation comedy) Dad's Army) play (Beggar My Neighbour). It stars Stanley Holloway, Peggy Cummins, Jack Watling, Barbara Murray, Joseph Tomelty, Humphrey Lestocq and Gordon Jackson. Music is by Eric Rogers and cinematography by Desmond Dickinson.

Out of Ealing Studios, Meet Mr. Lucifer is one of that great studio's lesser lights. Homing in on a sort of fear of the new home entertainment of the 50s, that of the TV set, plot features a television set that moves from owner to owner and causes nothing but trouble for said owners. This of course is the work of Old Nick himself, here essayed with a glint in his eye by Holloway. Sadly the attempts at satire miss the mark, leaving us with a somewhat uneven mix of comedy and seriousness. On the plus side it opens the eyes to the iffy quality on the TV in the early 50s, while there's a roll call of fine British actors in the supporting (cameo) slots.

Interestingly the Ealing hierarchy were very wary of the themes at the core of the picture, which explains why Pelissier was fetched in to direct. Knowing they themselves were uncommitted to the production goes some way to explaining the flat feel to it all. 5/10

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