Mohawk

Their untamed love spoke louder than war drums!

5.3
19561h 19m

An artist working in a remote army post is juggling the storekeeper's daughter, his fiancée newly arrived from the east, and the Indian Chief's daughter. But when a vengeful settler manages to get the army and the braves at each other's throats his troubles really begin.

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Mohawk 1956

Cast

Photo of Scott Brady

Scott Brady

Jonathan Adams

Photo of Lori Nelson

Lori Nelson

Cynthia Stanhope

Photo of Allison Hayes

Allison Hayes

Greta Jones

Photo of John Hoyt

John Hoyt

Butler

Photo of Rhys Williams

Rhys Williams

Clem Jones

Photo of Barbara Jo Allen

Barbara Jo Allen

Aunt Agatha

Photo of Mae Clarke

Mae Clarke

Minikah

Photo of Ted de Corsia

Ted de Corsia

Indian Chief Kowanen

Photo of Michael Granger

Michael Granger

Mohawk Priest

Photo of John Hudson

John Hudson

Captain Langley

Photo of James O'Hara

James O'Hara

Sergeant (as James Lilburn)

Photo of Clegg Hoyt

Clegg Hoyt

Wagon Driver (uncredited)

Photo of Paul Lukather

Paul Lukather

Angry Settler (uncredited)

Photo of Bob Reeves

Bob Reeves

Settler (uncredited)

Photo of Troy Melton

Troy Melton

Settler (uncredited)

Photo of Sidney Clute

Sidney Clute

Settler (uncredited)

Photo of Ray Spiker

Ray Spiker

Settler (uncredited)

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Reviews

G

CinemaSerf

6/10

This was clearly just intended as a cheap and cheerful afternoon B feature, and it does that job adequately enough. The hunky, if somewhat wooden Scott Brady is "Jonathan" - an artist who finds himself embroiled in a love triangle between "Onida" (Rita Gam) and "Cynthia" (Lori Nelson) whilst dealing with the much less dangerous threat of a war between the local Mohawk and Iroquois who are being armed and supplied by a nasty sutler content to play one against the other. As usual, Rhys Williams steals his few scenes as the only source of charisma in this otherwise entirely procedural western. It doesn't hang about, though - aside from the all too frequent romantic interludes, the story is something from a 1950s comic and moves along quite efficiently. A hero who is guaranteed to save the day and get the gal - regardless of the overwhelming odds stacked against him. The production is very set-bound, which at times is quite noticeable, but I'm sure it had a modest budget and filming timescale and it actually does ok with the mediocre talent at hand to turn out an enjoyable enough, but entirely forgettable, boy's-own style of adventure with a soupçon of moral fortitude thrown in.

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