Mood Indigo

6.1
20132h 11m

A woman suffers from an unusual illness caused by a flower growing in her lungs.

Production

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Trailers & Videos

Thumbnail for video: Official Trailer [ENG SUB]

Official Trailer [ENG SUB]

Cast

Photo of Omar Sy

Omar Sy

Nicolas

Photo of Sacha Bourdo

Sacha Bourdo

La souris

Photo of Philippe Torreton

Philippe Torreton

Jean-Sol Partre

Photo of Vincent Rottiers

Vincent Rottiers

Le religieux

Photo of Laurent Lafitte

Laurent Lafitte

Le directeur de société

Photo of Natacha Régnier

Natacha Régnier

La marchande de remède

Photo of Zinedine Soualem

Zinedine Soualem

Le vieil homme de l'usine d'armement

Photo of Alain Chabat

Alain Chabat

Jules Gouffé

Photo of Wilfred Benaïche

Wilfred Benaïche

Le sénéchal

Photo of Kid Creole

Kid Creole

Duke Ellington

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Reviews

G

CinemaSerf

7/10

There's a scene in this film where a naked "Colin" (Romain Duris) is paid then sort of folded over a large pile of mud so his body can insulate and help the snails to breed! That might give you an idea as to the surreality of this comedic drama. He is a wealthy man with a pair of white leather brogues who, quite literally, have a life of their own. He lives in what looks like a converted, luxury, railway carriage together with his factotum "Nicolas" (Omar Sy) and a recently poached girlfriend "Chloé" (Audrey Tautou) who is dying of a rather peculiar disease involving her lungs and a flower. Desperate to save her, he discovers that the only way to do that is to keep her permanently surrounded by other fresh flowers - and so following the philosophy of his mentor "Jean-Sol Partre" he takes us on some daft adventures with animate gadgets and gizmos - some with human or animal characteristics that wouldn't have looked out of place in "City of Lost Children" (1995). I wasn't familiar with Boris Vian's original novel, but I did enjoy this engagingly fantastic adaptation by Michel Gondry and the chemistry between Duris and Tautou is enjoyable to watch as the story takes it's own sweet time to make any headway - in any sort of traditional sense. It's helped along enormously by the quirky score from Étienne Charry and the production looks like a great deal of thought has gone in to making it quite so eccentrically haphazard. I found the story itself less important than the characterisations and I'm usually a fan of Duris - so wasn't disappointed. It's not for everyone, but I liked (most of) it.

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