Morocco

Who is this woman who scorns a hundred men...to give her love to a Devil-May-Care Soldier?

6.3
19301h 32m

Mogador, Morocco. Late 1920s. A complex romance develops between a womanizing Legionnaire and a disillusioned Parisian cabaret singer.

Production

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Trailers & Videos

Thumbnail for video: Peter Bogdanovich recounts Marlene Dietrich’s reflections on Josef von Sternberg’s MOROCCO

Peter Bogdanovich recounts Marlene Dietrich’s reflections on Josef von Sternberg’s MOROCCO

Thumbnail for video: Morocco (1930) trailer

Morocco (1930) trailer

Cast

Photo of Gary Cooper

Gary Cooper

Légionnaire Tom Brown

Photo of Marlene Dietrich

Marlene Dietrich

Mademoiselle Amy Jolly

Photo of Adolphe Menjou

Adolphe Menjou

Monsieur La Bessiere

Photo of Ullrich Haupt

Ullrich Haupt

Adjudant Caesar

Photo of Eve Southern

Eve Southern

Madame Caesar

Photo of Francis McDonald

Francis McDonald

Sergeant Tatoche

Photo of Paul Porcasi

Paul Porcasi

Lo Tinto

Photo of Émile Chautard

Émile Chautard

French General (uncredited)

Photo of Juliette Compton

Juliette Compton

Anna Dolores (uncredited)

Photo of Albert Conti

Albert Conti

Col. Quinnovieres (uncredited)

Photo of Theresa Harris

Theresa Harris

Camp Follower (uncredited)

Photo of Philip Sleeman

Philip Sleeman

Cafe Customer (uncredited)

Photo of Michael Visaroff

Michael Visaroff

Colonel Alexandre Barratière (uncredited)

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Reviews

G

CinemaSerf

7/10

Before there was Mogadon, there was Mogador - a town in Morocco in which the wealthy "La Bessiere" (Adolphe Menjou) might have wished for more of the former! His problems all stem from his infatuation with the recently arrived cabaret dancer "Amy" (Marlene Dietrich) who is wowing the crowds in her elegant tuxedo, top hat and stilettos. Also amongst her audience is the roguish legionnaire "Brown" (Gary Cooper) who takes a shine to her and even pays 20F for one of her apples! What now ensues is a lightly comedic love-triangle enterprise peppered with two full length numbers from Dietrich and a little naughtiness from Cooper that sends him deep into the treacherous desert. To be fair, Cooper is not the most impactful here - his performance is just a little too undercooked, but she is on great form as she mischievously plays both men and I did feel a little sorry for Menjou's lovestruck character used to buying everything he wanted. The production is gently tempered with a little sexual fluidity. That's not especially new for European audiences, but I reckon those across the pond might not have been quite so used to a woman so demonstrably fully equipped to function and thrive in a man's world! The scene at the end really did make wonder if "Amy" had really thought things through, though...

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