Night at the Erotic Museum

Gone in 60 Seconds 2

For the first time in history you'll be able to see the last unfinished film from one of the greatest car-chase filmmaker's (Halicki) that ever lived, who loved to chase, wreck and destroy anything on four wheels. He bought over 400 cars to devour. It's one of the most amazing car crash chases ever filmed! Halicki reprises his role as the legendary car booster... on the run from some killers and the police he boost a Semi Tractor-Trailer... the chase destroys half the city... the other half is destroyed by the 'Slicer' (a custom built wedge car). The car is unstoppable - it can flip any truck or car in it's speeding path! You'll see why they nick named Halicki "The Car-Crash-King." You won't believe your eyes - you'll watch it again and again... the action never stops!

Monique

Using a childhood experience of racial bigotry at school, this film looks at the ways in which racism is ingrained in American society, even in the play of children. MONIQUE is a compelling exploration of identity and memory.

The Last Ones

Checo, the son of poor Friulian farmers, feels different from other boys because he is more intelligent, sensitive, and gifted with imagination. Others isolate and mock him, and give him the nickname of "Scarecrow," and Checo ends up identifying with that macabre bird. One day, exasperated, he decides to flee to Venice, with the dream of becoming a painter.

金瓶梅禁传 上卷

At This Late Date, the Charleston

A young man gets thrown into detention after an episode of sexual assault; he soon meets several impostors in the same situation.

Mane Maratakkide

A Dubai-based Indian decides to sell his house after the death of his parents. But, the old mansion is haunted and selling it is an uphill task. Why is the house haunted?

Karura Mau OVA

Shoko and Maiko Ougi are apparently two ordinary schoolgirls in pursuit of graduating and having fun. Shii-chan is the more serious while Mai-chan is more fun-loving. In reality, the two sisters are powerful exorcists from the Karura temple. Each wields half the power... Shii-chan can see the spirits, and Mai-chan can banish them. This is a spooky series with heavy emphasis on traditionally Japanese occult themes.

Lunn Flies into the Wind

Akira is a lonely middle school boy, ignored by his classmates and bullied by his teacher. He falls in love with the image of a girl on a coffee advertising poster and names her Lunn. Through his "friendship" with Lunn, he gradually finds the strength to pursue his own dreams.

Venganza gaucha

Smash TV - Skinemax

Skinemax is Koyaanisqatsi for a generation raised on late night television and B-movie VHS tapes. It's long form entertainment for short attention spans. An hour long VJ odyssey, it will move your body and warp your mind. A nostalgic look back at a half remembered childhood growing up in the 80s and early 90s, Skinemax takes a close look at the culture of that era. The images that motivated, delighted, and terrified us on the silver screen, set to propulsive modern music that pines for a simpler time.

Dharmaveer 2

Explores Anand Dighe's life, tracing his political journey and capturing the essence of his impactful legacy as a prominent figure.

Wait Please

A wonderfully touching tale about love

Getting Wasted

An uptight military school gets a dose of hippie-infused rebellion when a group of students gather in support of the 1960s uprising going on around them. When a few students decide to bring the more liberal, artsy side of the revolution onto campus, they face opposition from much of the school's staff.

Omid Djalili: Live in London

He's back! One of Britain's best loved comedians, the multi award-winning British-Iranian, Omid Djalili takes on the world in a brand new sensational stand up show. Undertaking a huge sell-out tour across the UK, 'Live in London' captures Omid at his very best, recorded live at the celebrated home of comedy - the Hammersmith Apollo.

Das Schöpfwerk

Around a water scoop are ordered images of old, expressionistic films and archaic evolutionary motives. Inbetween, like a veil, are embeded chemical substances which were not washed out during the developing process. The narration dissolves more and more in the abstract metric of the materials. (Jürgen Reble)