Private Number

TOO MUCH MONEY TO TRUST IN LOVE!

6.6
19361h 20m

Ellen Neal, a young and inexperienced maid, becomes romantically involved with her employers son which causes various complications. The head butler also has an infatuation for the young girl but his intentions are not that good.

Production

Logo for 20th Century Fox

Cast

Photo of Loretta Young

Loretta Young

Ellen Neal

Photo of Robert Taylor

Robert Taylor

Richard Winfield

Photo of Basil Rathbone

Basil Rathbone

Thomas Wroxton

Photo of Paul Harvey

Paul Harvey

Perry Winfield

Photo of Jane Darwell

Jane Darwell

Mrs. Frisby

Photo of John Miljan

John Miljan

Sam Stapp

Photo of Marjorie Gateson

Marjorie Gateson

Mrs. Maggie Winfield

Photo of Paul Stanton

Paul Stanton

Rawlings

Photo of Monroe Owsley

Monroe Owsley

James "Jimmy" Coakley

Photo of Billy Bevan

Billy Bevan

Frederick

Photo of May Beatty

May Beatty

Grandma Gammon

Photo of Jack Pennick

Jack Pennick

Gus Rilovitch

Photo of Lynn Bari

Lynn Bari

Gambler (Uncredited)

Photo of Barbara Dodd

Barbara Dodd

Baby (Uncredited)

Photo of Douglas Fowley

Douglas Fowley

Sheik (Uncredited)

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Reviews

G

CinemaSerf

7/10

Down on her luck "Ellen" (Loretta Young) arrives at "Winfield Manor" seeking a position. She's completely unqualified, but butler "Wroxton" (Basil Rathbone) takes a bit of a shine to her and so she gets a job anyway. Indeed, fairly swiftly she is the personal maid to the lady of the house - but it's the son "Richard" (Robert Taylor) who really catches her eye, and she his. What can they do though - she's a mere servant and he is from the bluest of New York blood? Well they pretend it's Elizabethan times and marry in secret, but that's not their biggest one of those and when the intensely jealous "Wroxton"" finds out, he proceeds to make things distinctly awkward for the couple and for his family. With the odds stacked against them, and misunderstandings galore going on, it's going to be tough for them to remember that they were/are/might still be in love! It's all a bit predicable as far as the story goes, but there's quite an effective on-screen malevolence from an on-form Rathbone, there's also an amiable chemistry between Young and a Taylor who looks much younger than his actual 25 years, and we've even a tiny slice of courtroom duplicity at the end to round things off. Never mind a woman scorned, worry about the butler...!

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