Quality Street

6.9
19271h 50m

A fresh young beauty becomes an old maid waiting for her suitor to return from the Napoleonic wars. When he returns, clearly disappointed, she disguises herself as her own niece in order to test his loyalty.

Production

Logo for Metro-Goldwyn-Mayer

Available For Free On

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Cast

Photo of Marion Davies

Marion Davies

Phoebe Throssel

Photo of Conrad Nagel

Conrad Nagel

Dr. Valentine Brown

Photo of Helen Jerome Eddy

Helen Jerome Eddy

Susan Throssel

Photo of Flora Finch

Flora Finch

Mary Willoughby

Photo of Margaret Seddon

Margaret Seddon

Nancy Willoughby

Photo of Marcelle Corday

Marcelle Corday

Henrietta Tumbull

Photo of Leon Janney

Leon Janney

Student (uncredited)

Photo of Virginia Marshall

Virginia Marshall

Student (uncredited)

Photo of Mickey McBan

Mickey McBan

Bit Part (uncredited)

Photo of Coy Watson Jr.

Coy Watson Jr.

The Dunce Kid (uncredited)

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Reviews

G

CinemaSerf

7/10

“Dr. Brown” (Conrad Nagel) arrives, eagerly expected, at the home of his belle “Phoebe” (Marion Davies) only to tell her that he is off to help the soldiers fighting the Napoleonic wars. She and her sister “Susan” (Helen Jerome Eddy) become school teachers and almost ten years pass before the doctor, now a captain, returns to be disappointed by his now rather more aged gal. She’s horrified by his reaction so sets about rejuvenating herself to win him back. Thing is, though, she doesn’t just re-invent “Phoebe”, she creates a younger version: her neice “Livvy”. It isn’t just him whose head is turned, though. There are plenty of other dashing young men now paying court to this revamped lady and she is soon ably playing them all off the increasingly jealous “Brown”. Of course, it being a small middle-class English community, there are no shortage of nosey-parkers watching everything that is going on and they are enjoyably epitomised by spinster “Willoughby” (Flora Finch) who could give you a running commentary on the grass growing in an house two miles away! Basing a silent film on a book, and a Sir J.M. Barrie book at that, was a risky venture and does rob the story of it’s verbal flightiness and some of it’s mischief, but there’s still quite a lot of chemistry on display from Nagel and a very engaging Davis who does the doubling-up role in a way that wouldn’t fool anyone, and Sidney Franklin manages to keep all of this moving along with an entertaining skip in it’s step.

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