Querelle

It will take you into a surreal world of passion and sexuality, further than most would dare to go.

6.6
19821h 49m

A handsome Belgian sailor on shore leave in the port of Brest, who is also a drug smuggler and murderer, embarks upon a voyage of highly charged and violent homosexual self-discovery that will change him forever from the man he once was.

Production

Logo for Gaumont

Trailers & Videos

Thumbnail for video: Official Trailer

Official Trailer

Thumbnail for video: Hand-picked by MUBI

Hand-picked by MUBI

Cast

Photo of Brad Davis

Brad Davis

Querelle

Photo of Franco Nero

Franco Nero

Lieutenant Seblon

Photo of Laurent Malet

Laurent Malet

Roger Bataille

Photo of Hanno Pöschl

Hanno Pöschl

Robert / Gil

Photo of Roger Fritz

Roger Fritz

Marcellin

Photo of Dieter Schidor

Dieter Schidor

Vic Rivette

Photo of Robert van Ackeren

Robert van Ackeren

Drunk legionnaire

Photo of Wolf Gremm

Wolf Gremm

Drunk legionnaire

Photo of Frank Ripploh

Frank Ripploh

Drunk legionnaire

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Reviews

G

CinemaSerf

7/10

Brad Davis (sprayed into his tight white canvas trousers!) is the eponymous sailor, enticed into a seamy life when their ship docks in Brest. This proves to be a port where homosexuality is the currency of the day. The losing roll of the dice could cost you more than a few shekels. This is all something that captain "Seblon" (Franco Nero) is aware of - and he knows that sex can be an effective way to stop frustration becoming violence. It'd be easy to write this off as an out-dated queer-fest, but actually there is quite a bit more to it. The journey of self discovery for the young man; the unrequited love for him from his boss, the complex relationship with his equally handsome brother "Robert" (Hanno Pöschl) and the sparing appearances of teh matter man's current girlfriend "Lysiane" (Jeanne Moreau) - the principal attraction in the "La Feria" bar/whorehouse/general den of ill repute - all intrigue. Wassbinder's last film is certainly not his best, and to be honest it has dated rather badly over thirty years, but it has an immersive, theatrically intense style to it and the sex - though not remotely graphic - has a seediness that leaves much more to the imagination and, I reckon, is therefore much more potent and challenging. Somehow our own imagination (and fetishes) are tantalisingly teased and exposed without anything too specific on screen. It won't be to everyone's taste. A film about guys shagging and drug dealing in a French port won't work everywhere, but it's much more of a work of cinema than I was expecting. Though I didn't really get the ending, I found it oddly compelling.

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